Soldier Blue [Blu-ray]

Product Information

I'm just saying that it's easy to be pro-Native sitting on the comfort of your sofa, but not so much when you and your loved ones are threatened with torture & slaughter.

Anyway, I'd heard all about its notoriety, but having never seen the movie or any clips, I hadn't been able to vouch for its content. I have to say that it was a brutal film, albeit quite humorous in places, and despite my hatred of Westerns, this is one of the few really good ones. Don't miss the beginning at any cost.Or else you would not hear Buffy Sainte-Marie's eponymous anthemic song (Yes this is my country,young and growing free and flowing from sea to sea...).The version of the song as performed here features a string arrangement not present in the original version (which is to be found on BSM's "she used to wanna be a ballerina",vanguard).This song is as moving today as it was 30 years ago,and when the singer implores "can't you see there's another way to love her?" it gains an universal meaning(not only American natives or Vietnamese as it was mooted at the time for the movie) Released in August 1970, the film drew attention for its frank depictions of violence, specifically its graphic final sequence. Some film scholars have cited Soldier Blue as a critique of America's "archetypal art form [the Western]," with other interpretations ranging from it being an anti-war picture to an exploitation film. [5] Plot [ edit ] Without exception, the characters are one-dimensional. We have a strong woman, who has seen horrors done in the name of America. Her travelling companion is a simple soldier, who thinks his country is great. Her fiance (Dana Elcar) is a captain in the army. An old colonel (John Anderson) plans a raid on a Cheyenne village and a Cheyenne warrior (Jorge Rivero) believes he can make peace with the Americans, but will be betrayed. The least said about Donald Pleasence and his comedy teeth the better. He plays a calico salesman by the name of Isaac Q. Cumber (cucumber, geddit?). Make no mistake, this is no masterpiece. But it reveals a lot about movies of the period, and about attitudes toward Native Americans and the Wild West. It's not terrible, and in some ways it's so disturbing by the end it makes a rare point. If you like these themes, and can tolerate some awkward and awful social politics you'll get something from it.

HORROR - USA

As a Western, the characters are far too anachronistic. It would be little surprise to hear Cresta say to Honus, "Get with the programme, Soldier Blue. The Man has been lying to you." As an allegory, it's simplistic, patronising and wasteful.

Multiple film critics said Soldier Blue evoked the My Lai massacre, which had been disclosed to the American public the previous year. [10] In September 1970, Dotson Rader writing in The New York Times, remarked that Soldier Blue "must be numbered among the most significant, the most brutal and liberating, the most honest American films ever made." [6] Waymark, Peter (December 30, 1971). "Richard Burton top draw in British cinemas". The Times. London. Ulzana's Raid, a 1972 American revisionist western film directed by Robert Aldrich, starring Burt Lancaster. a b Ebert, Roger (January 1, 1970). "Soldier Blue". Chicago Sun-Times . Retrieved March 28, 2018– via RogerEbert.com.

UK release is the original uncut version at 114 minutes, excludes all 'toned down' material from USA "PG-rated" version and includes all director's material in climatic scene, except for 36 seconds cut from a scene showing the rape of an Indian woman during the massacre of the village." Soldier Blue's intentions are laudable, but the end result is laughable. I'm all for it redressing the "Injuns are savages" message from so many other Westerns and I'm all for its allegorical questioning of the Vietnam War, but I wish it wouldn't do it in such a jejune manner that undermines what it's attempting to espouse. Hurst, P.B. (2008). The Most Savage Film: Soldier Blue, Cinematic Violence and the Horrors of War. McFarland. ISBN 978-0-7864-3710-8.

The account of the massacre is included as part of a longer fictionalized story about the escape of two white survivors from an earlier massacre of U.S. Cavalry troops by Cheyenne, and names of the actual historical characters were changed. Director Nelson stated that he was inspired to make the film based on the wars in Vietnam and Sơn Mỹ. [6] In 1877 Colorado Territory, a young woman, Cresta Lee, and young Colorado Private Honus Gant are joined together by fate when they are the only two survivors after their group is massacred by the Cheyenne. Gant is devoted to his country and duty; Lee, who has lived with the Cheyenne for two years, is scornful of Gant (she refers to him as "Soldier Blue" derisively) and declares that in this conflict she sympathizes with them. The two must now try to make it to Fort Reunion, the army camp, where Cresta's fiancé, an army officer, waits for her. As they travel through the desert with very low supplies, hiding from the Indians, they are spotted by a group of Kiowa horsemen. Under pressure from Cresta, Honus fights and seriously wounds the group's chief when the chief challenges him. Honus finds himself unable to kill the disgraced Kiowa leader, whose own men stab him leaving Honus and Cresta alone. The ideological gulf between them is also revealed in their attitudes towards societal mores, with the almost-puritanical Honus disturbed by things Cresta barely notices. Hurst, P.B. "The Most Savage Film: Reliving Soldier Blue". Cinema Retro . Retrieved December 27, 2017. Recalling the film, star Candice Bergen commented that it was "a movie whose heart, if nothing else, was in the right place." [7] In culture [ edit ]But what was worse was the wave of denial that promptly followed. Politicians, generals and congressmen began to downplay the incident, doing their best to keep the massacre under wraps. They succeeded at first, but eventually letters circulated to the press and the incident went public in 1969. Video (26th January 1990) - Rated "18", still cut, some previous cuts now included, but now running to 109m 28s. The other is the military aspects, which seem to be a reflection on the U.S. military of the time, 1970—which means Vietnam. The senselessness of the killing and the blind military attitudes seem, at least on the surface, to parallel popular attitudes against American involvement in the Vietnam War. It was common at the time (as now) to use movies to speak to contemporary themes this way. Near the end, the flag is thrown to the ground in disgust and there is a long, truly brutal, and frankly disturbing battle scene. I recently taped and watched the BBC2 screening of "Soldier Blue" - a graphic and uncompromising Western movie from 1971, starring Peter Strauss and Candace Bergen.