A stunning memoir by an actor who could convincingly play a charismatic but self-destructive outsider because he knew the breed all too well…a brutally frank reflection on a life filled with self-doubt…[ The Extraordinary Life of an Ordinary Man]smolders with introspection as Newman tries to ascertain what he couldn’t see in himself that so many others did.” —Douglass K. Daniel, AP news Much later in his career, Newman’s voice became an equally striking feature. Unlike the eyes, the voice had to be earned; it was no pretty boy’s birthright. Decades of smoking, drinking and pain produced a rusty baritone that could narrate its way to the very soul of a man’s regret. Newman’s voice settled into its terminal register in the 1980s, in movies like “Absence of Malice” and “The Color of Money.” His world-weary characters could still get the girl, but the right one had long since gotten away. By the end of his career, Newman spoke with a lovely white-haired softness as a sort of national grandfather, teaching a boy to use a watch in “Nobody’s Fool” (1994) and describing the rules of the road in Pixar’s animated “Cars” (2006). Millions of children know him by his voice alone. Newman was a complicated man. The forces that drove him were highly contradictory. Keenly aware of his privilege and charitably-inclined, he was also intricately bound to the dictates of a lusty machismo, and fenced with the sparkling blades of his own vanity throughout the course of his life. His mother, he felt, treated him like a doll and a decoration - like a girl, at one point he says - which led him into a dark and disorganizing conflict with regard to his appearance; a conflict that simmered through the many years of his film career and elevation to the status of sex symbol. When Joanne and I went to Paris to shoot a few scenes of Mr. and Mrs. Bridge there were photographers at the airport, and Joanne said to me: “Don’t be a jerk. Pose for them and then they’ll leave us alone.” So you agree to stand there and smile for a minute or two, hold your wife’s arm, etc. and you tell them, “I’ll see you, goodbye.” Then you walk to your car and about two-thirds of them follow and do exactly what you thought you were getting away from. They honor nothing, and they even chase the car.

Throughout Newman's account of his life (narrated very well in audio by Jeff Daniels), there is a sense of real loneliness, at feeling like he wasn't always in control of his own life, and that he resented the intrusion of fame. He found it boggling how women eventually found him to be such a sex symbol, as he couldn't get a girl to even talk to him until after he had been discharged from the military. There were a lot of fascinating moments in this book: reading about his relationship with his parents (his mother treated him mostly like a prop and once he was married to his first wife, insisted they sleep in twin beds), his family's complicated relationship with Judaism and how he was the rare actor who chose not to change his name, his time working with Lee Strasberg and the Actors Studio, his relationship with Joanne Woodward, the comparisons to Marlon Brando and James Dean, etc., plus the information from his daughter about his philanthropic efforts.Newman's often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Marlon Brando and James Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward--their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually.

THE EXTRAORDINARY LIFE OF AN ORDINARY MAN is revelatory and introspective, personal and analytical, loving and tender in some places, always complex and profound. he was honest to the core, was a loyal friend, very well respected by most people, loved to laugh at his own jokes…..

He had a reputation for being a private person so I was pleasantly surprised how much he shared his thoughts and feelings of his childhood, career, marriages and fatherhood. He sought therapy over the years and I'm sure that led to quite a bit of reflection about his life. He's self-deprecating, to a fault in my opinion, but it also shows he didn't have a massive ego. He knew he had flaws, he knew there was always room for improvement. I always liked him as an actor but after reading this memoir, I have mad respect for him as a man. One of the very finest screen actors of our time. Newman spanned the gap between the golden days of Hollywood, the 40s and 50s with actors like Cary Grant and James Stewart and Clark Gable, and the present lot represented by Brad Pitt, Tom Cruise' Sir Michael Parkinson Given this psychological record, Newman refuses to take credit for his much-praised philanthropy. Although the salad dressing sold as Newman’s Own generated millions for charitable causes, he winces at the way he marketed his celebrity on the shelves of grocery stores and suspects that his altruism came “from having no civic impulses at all, just inventing them the way I invented everything”. Presumably that also applies to his political activities in support of candidates who opposed the Vietnam war; though he voted Democrat, Newman defines himself as “an emotional Republican” – hard faced and self-contained or, as a college crony says of him, “tough and cold”, even “devilish”. This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by