Even the somewhat lethargic “Keys to the Kingdom” spreads a certain charm, although its neighbor “Smiling Like a Killer” sounds much better: simple, direct, old school, simply Motörhead. not fucken Shania Twain, I mean real tr00 country, with shootin' men in Reno (just to watch them die).

Suicide's a six minute epic slow-burn, and then "Life's a Bitch" starts off with a blues-punk lick before going into - what's this, more fucking speed metal? The songs themselves also seem to be more up tempo than usual as the pummeling “Terminal Show” and “Fight! Not only was Webb able to find unity in the band in terms of recording but also understand Lemmy's bass sound, which had a lot more gain than low end. Already the voluminous up-tempo opener “Terminal Show” leaves no doubt that the album gives no reason for concern in terms of the mix.A few times he also reflects on his own past (“Our badge the ace of spades”, “Eat the rich, life’s a bitch”, “Stay clean, be true”).

The first of many of the band’s albums to be produced by Cameron Webb, Inferno became Motörhead heaviest album in years, although the final song on the album, Whorehouse Blues was something of a departure with its country blues style and Lemmy on harmonica.These guys are tight, they're veterans, and if you don't know what to expect by now, what kind of metalhead are you? There are these soldiers coming in from the sides, which is very much like Iraq or any other hotspots in the world. Suicide” may be the most accessible song on here thanks to its building guitar work and surprisingly catchy vocal layering and “Keys to the Kingdom” also stands out for its mid-tempo shuffle. Filming of the video for "Whorehouse Blues" was due to take place in a Stringfellow's club, but Peter Stringfellow objected to the song title and its associations, and withdrew any involvement.

The rest of the album truly moves at breakneck speeds and overshadows many of Motorheads past accomplishments. Interview with Mikkey Dee by Artyom Golew – became cover story in Sep 2006 issue of Russian Alive magazine". The first song to play on the album, "Terminal Show" is quite possibly my new favourite Motorhead track. It keeps a fast pace (for blues inspired country) and light attitude and has an unmistakably Motorhead feel to the lyrics with a chorus that proudly declares that “You know we aint too good looking/But We are satisfied/No we aint never been good looking/But we are satisfied/We shoulda opened a little whorehouse honey/get a little booty on the side”.About Joe Petagno – interview section with Joe Petagno, bonus DVD with Inferno 30th Anniversary edition SPV69748. and yet again another song instantly identifiable as Motorhead, and throw in another simple-but-oh-so-effective thrash riff. Phil Campbell’s guitar tone is at its most dominant thanks to the bright production job though the rhythm section still holds its own throughout. insure that this album will crush your skull into pulp with every listen and you will come back for more every time.