As with Oor Wullie, Watkins left the location of the strips unnamed, although the Broons' tenement is located on Glebe Street, a commonly used name in many Scottish towns. However, as originally written, Watkins' use of words and phrases more commonly associated with the east coast of Scotland, such as bairn for child, as opposed to the west-central wean, [2] suggests he was using his own immediate environment. (He lived in Broughty Ferry). [3] He worked in Dundee and the Broons' dialect is mainly Dundonian. Since the 1990s, however, The Broons has been set in the fictional town of Auchenshoogle. And naturally, such a region is the perfect sounding board to portray all kinds of social, cultural and economic changes that come with every passing year… As the weeks went by, and despite a mixed bag of reactions from the clan and readership, Maggie Broon’s new boyfriend and his flash car became a fixture. An engagement was announced, a house was bought, unsuspected and potentially fractious connections to the prospective In-Laws were revealed and overcome before, in 1979, the countdown to a wedding began…

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Offering regular breaks from inner-city turmoil and many chances to simultaneously sentimentalise, spoof and memorialise more traditional times, the family frequently repair to their But an’ Ben (a dilapidated rustic cottage in the Highlands) where they fall foul of the weather, the countryside and all its denizens: fish, fowl, farm-grown, temporary and touristic…Starting in 1940 the Oor Wullie strips also appeared in the form of a Christmas annual which alternated every second year with “ The Broons”, another D. C. Thomson product. (No annuals were published between 1943 and 1946.) Pre-1966 annuals were undated. The Broons ( English: The Browns) is a comic strip in Scots published in the weekly Scottish newspaper The Sunday Post. It features a Brown family, which lives in a tenement flat at 10 Glebe Street (since the late 1990s) in the fictional Scottish town of Auchentogle or Auchenshoogle.

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As such it’s always been a character-rich environment and ideal setting in which to tell gags, relate events and fossilise the deepest and most reassuring cultural archetypes for sentimental Scots wherever in the world they might actually be residing. Overflowing with all-ages fun, rambunctious homespun hilarity and deliriously domestic warmth, these examples of comedic certainty and convivial celebration are a sure cure for post-modern glums… and you can’t really have a happy summer holiday without them, can you? The basic set-up is sublimely simply and eternally evergreen, featuring an imaginative, scruff with a weakness for mischief, talent for finding trouble and no hope of ever avoiding parental retribution when appropriate… As previously stated, Oor Wullie also launched on March 8 th 1936, with his own collected Annual compilations subsequently and unfailingly appearing in the even years. Most of the humour derives from the timeless themes of the "generation gap," stretching the money as far as possible, and the constant struggle for each family member to live in a very small flat with the other nine Broons. In the end, the family always support one another, getting through life with a gentle good humour as they argue amongst themselves.DC Thomson’s chiefs preferred to reprint old Watkins episodes of the strips in both the newspaper and the Annuals for seven years before a replacement was agreed upon. The Dandy reran Watkins’ Desperate Dan stories for twice that length of time.

Oor Wullie - Wikipedia

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Since its inception, The Broons have had their own biennial, alternating each year with Oor Wullie. No annuals were published during 1943 and 1944 due to paper rationing in World War II, but jigsaws were created instead. Following the 80th anniversary in 2016, an additional annual of The Broons was issued for 2017, breaking from the biennial pattern.It was never to be. For reasons still undisclosed (both writer and artist were no longer around to ask at the time this book was released) Dave vanished between instalments and was never seen again. Not officially in residence but always hanging around is sly, patriarchal buffoon Granpaw– a comedic gadfly who spends more time at Glebe Street than his own cottage; constantly attempting to impart his decades of out-of-date, hard-earned experience to the kids… but do they listen?