BOSS SD-1 SUPER OverDrive Effects Pedal for Guitar and Bass - Mild to Moderate Tube - like Overdrive Characteristics Ideal for Clean and Driven amps. BOSS 5-Year Warranty.,Yellow

£64.995
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BOSS SD-1 SUPER OverDrive Effects Pedal for Guitar and Bass - Mild to Moderate Tube - like Overdrive Characteristics Ideal for Clean and Driven amps. BOSS 5-Year Warranty.,Yellow

BOSS SD-1 SUPER OverDrive Effects Pedal for Guitar and Bass - Mild to Moderate Tube - like Overdrive Characteristics Ideal for Clean and Driven amps. BOSS 5-Year Warranty.,Yellow

RRP: £129.99
Price: £64.995
£64.995 FREE Shipping

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From the pictures I already had seen, the part of the circuit board that was visible had some really small components, but I figured the other side – where the bulk of the circuit’s components would be located – might feature some of the larger ones. It really evokes that 80’s classic rock sound – think of any band who play with a wall of Marshall amps behind them. Telecaster Style Guitar [Maple Fingerboard, Dimarzio D-Activator Humbucker (bridge position)] – Cable – Scarlett 2i2 Interface – MacBook Pro 15” 2012 – Logic Pro X.

The key to the distinctive overdrive tones of these Boss overdrive circuits is asymmetrical clipping, which is the result of when a signal’s waveform has positive and negative amplitude peaks that are clipped unevenly, in the SD-1’s case using a different number of diodes to clip the positive and negative peaks respectively. We don’t want you to have any nasty surprises when you receive a guitar from us so we do our own photography in-house. However, if you were already a fan, but just want a little bit more from your SD-1, the SD-1W is an excellent choice! Just what I was looking for; think Eric Clapton's 'woman tone' (check out the YouTube of the Boss Blues Overdrive pedal) but this has a slightly more edgy tone. This design feature is patented by Boss (Roland) meaning the SD-1 is the only overdrive pedal that can offer this incredible tonal secret.Flipping the board over to where the main audio circuit lives, we can see clearly the sheer tiny-ness of some of the components. When 18 and Life played back and I heard Scotti play the first three notes in the solo, I got chills. It is a slightly faster op-amp, used in several very good sounding circuits, so there’s nothing wrong with using it in place of the 4588DD.

These pedals constantly survive the rigours of rock 'n' roll touring, and that's why they're seen at the feet of top touring pros everywhere.

Credit is provided by a panel of lenders with whom we have a commercial relationship (so we cannot provide independent advice). It is not uncommon for even open chords to be played with a decent amount of overdrive (think of Malcolm Young), since higher notes and overtones contain a significantly lower concentration of energy. Authorised by the Prudential Regulation Authority and regulated by the Financial Conduct Authority and the Prudential Regulation Authority. Guitarists who’ve used it in the past include Eddie Van Halen (Van Halen), Zakk Wylde (Ozzy Osbourne), Billy Duffy (The Cult), Jonny Greenwood (Radiohead) and Robert Smith (The Cure). I still have this pedal but I use it as decoration and sometimes I use it with batteries on my other amp rigs.

Most professionals will usually have a selection and the Super Overdrive has usually made way for more expensive options on their pedal boards. The patented asymmetric clipping design adds a brilliance to your tone perfect for big, crunchy open chord rhythm work, and soaring intricate lead runs alike. We have been in business for over 30 years and will always do our best to be as competitive as possible.For instance, the SD-1(C) did have a tiny amount more low end and were slightly more dynamic sounding.

You can change your choices at any time by visiting Cookie preferences, as described in the Cookie notice.Remaining in production ever since, this workhorse gain machine has continuously graced the pedalboards of beginners and pros the world over. All there was left for me in Minneapolis was to work for Prince, and I had no desire to – I’d heard too many stories. used the JRC4558DD (rather than the ”holy grail” JRC4558D found in some of the original early ’80s TS-9’s), but in this latest iteration of the SD-1, they went for a JRC4580 instead. You can use the SD-1 as your “always on” pedal for smooth tube crunch, and kick on your DS-1 Distortion for solos, or vice versa! Happily, BOSS have maintained their stellar reputation for world-class effects in bomb-proof casing with their current range and have fended off the imitators for decades to remain the pre-eminent single pedal effects manufacturer in the business.



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