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Of the patches provided, you’ll find FM favourites such as brass, electric pianos and bells along with an echoing acoustic guitar, basses you’ll never lose in a mix, bright leads, snarky leads, weird digital gunk and even several convincingly dreamy pads. In other words, the kind of sounds that made FM a breath of fresh air when it appeared in the 1980s, aided and abetted by more contemporary efforts. While FM sounds considerably less revolutionary today, there’s still scope to explore. As Fortner noted, the YC’s Leslie emulation is a solid all around, especially when it interacts with the distortion, adding that hallmark milky grunge. The rotation speed is controlled on the fly via a lever that’s in the same spot as the pitch-bender on the CS and DX. To maintain accuracy, this is a toggle that spins up and down to “chorale” and “tremolo” speeds convincingly. A stop option emulates the sound of a braked Leslie, capturing its location in the stereo field at the moment of “stopping” and sounding completely different than just turning the effect off. All four reface models are presenting themselves as a creative toy for sound design. But despite their compact design, they are professional instruments that are inviting to play. All models feature Yamaha’s brand new ‘HQ’ Mini-Action keyboard with 37 keys (3 octaves). The user interfaces were designed separately for each instrument introducing features such as drawbars for the reface YC organ and the capacitive Multi-Touch surface on the reface DX. reface CP: Electric Piano Connect a USB cable to your computer. You can now transmit and receive MIDI from the reface to your DAW.
Yamaha Reface CP review | MusicRadar Yamaha Reface CP review | MusicRadar
On board effects are great. The reverb is deep, you have two types of delay (analog / digital), the chorus and phasers are deep immersive, and the tremolo and wah are very responsive. Ring modulation and FM are the last two oscillator types, with ring modulation the most striking. You’re given independent pitch control over two input oscillators and, as with the legendary CS synths, it’s your route to mad, metallic, bellish wails. I’d have loved control via a CS80-style ribbon and was slightly disappointed that the oscillator pitches were stepped, not continuously variable. In contrast, FM, with its audio-level oscillator modulation, is rather too lo-fi and digital to ever set the pulse racing, but it’s worth having for those moments of dissonant weirdness. When Mod is cranked to the max, you gain a glitchy noise generator. D.Delay/A.Delay with Depth and Time knobs, providing a digital delay and a digital model of an analog-style delay With the EG slider fully down (ie. set to ‘AEG’, the amplifier), the envelope starts authentically from its existing level, unlike Yamaha’s older modelled analogue, the AN1x. When in mono mode, the envelope is single-triggered with low-note priority. It’s also blessed with a very long maximum release time: well over 40 seconds. The build quality is ok. It's obviously not built like a tank but it's better than most in this price range. I'm sure it will last many, many years if taken good care of.Each keyboard type matches a carefully chosen Drive and Tremolo setting to provide an incredibly musical pairing The speakers will still be engaged if you connect cables to the L/Mono and R Outputs. If you want to disable the speakers, do this: Each keyboard measures 530 millimetres (21in) x 175 millimetres (6.9in) x 60 millimetres (2.4in) and weighs 1.9 kilograms (4.2lb). [5] [6] The Reface series uses Yamaha's velocity sensitive "High Quality Mini Keys", the same keys as those of Yamaha's Motif XF. [7] [8] [9] Each keyboard has three octaves (37 keys) [10] [5] and can interface with MIDI. [11] The Refaces have two watt speakers (in stereo), audio inputs and audio outputs. [12] After their announcement, the Refaces drew comparisons to both the Roland Aria series and Korg's Volcas due to their affordability and inspiration taken from their respective companies' previously released synthesisers. [13] In 2016 Yamaha released both a web app (Soundmodo) and a mobile app to facilitate sharing and saving of preset sounds on the Refaces. [14] [15] Models [ edit ] The CS-80: an inspiration to the Reface CS The reface Owner’s Manual, in the reface CP Voice Setting Examples section, provides examples of combinations of effects settings useful with different instrument models to recreate vintage keyboard sounds. Connect Your reface to a Full-size MIDI Keyboard
reface - reface CP - Yamaha - Canada - English reface - reface CP - Yamaha - Canada - English
The architecture draws from the original CS-01 in many respects. An oscillator feeds a resonant lowpass filter, with a single LFO and envelope for modulation. What’s interesting is how Yamaha has brought this design into the 21st century. The CS can sound impressive in many analogue roles and delivers a pretty solid bass end from its sawtooth and sub-oscillator combination. At times it did feel slightly underpowered — this wasn’t helped by occasional odd harmonics and aliasing. Some of the controls also exhibited noticeably non-analogue characteristics, notably there were nasty glitches upon swapping oscillator types. CP The Yamaha Reface CP offers instant gratification – great sounds and effects, with everything very clearly laid out on the front panel. The tone of the instrument is great especially if you decide to hook it on a pair of nearfield monitors for practice, like i did. All the voices are great and usable except the Toy-Piano which i didn't find appealing at all. I can't imagine how this sound can fit in any mix, but that's just me. The built-in speakers are also very impressive in terms of sound quality. The stereo tremolo when combined with the Rhodes sounds is enjoyable and eargasmic. All effects are very responsive and most important easy to tweak while playing. The interface is super simple and a no-brainer, just the way it should be. Vincent, Robin (20 April 2017). "Superbooth 2017: What's Yamaha inventing with the Reface Robot?". gearnews.com . Retrieved 26 February 2023.I highly recommend this product! The sounds are amazing for the price. 10-15 years ago this quality of modelling wouldn't be found even in the most expensive hi-end keyboards. The CS is a modern, portable take on the old CS-80, and this was probably our favorite of the bunch. We dug the vintage vibe, and the physical faders that allows for ultimate tweakability. Like all the Reface units, it’s got two built in speakers that aren’t half bad for practicing, and it can even run on batteries. The CS in particular has a few handy on-board fx, which we enjoyed quite a bit. But most of all, we envision the CS being used for cool pads, phunky bass lines and by manipulating the various oscillator types, you can really hone in on textures and spacy lead tones that can make this particular unit an indispensable tool in any producer’s arsenal. As a Combo Piano, the reface CP offers six classical keyboard sounds with excellent quality thanks to SCM (Spectral Component Modelling) and AWM2 sound generation.
YAMAHA Reface Series Keyboards - Performer IN-DEPTH REVIEW: YAMAHA Reface Series Keyboards - Performer
Pros: Lightweight, easy to understand and to use (very user friendly), delivers excellent sounds in such a small format. The rhodes sound sweet and warm, the wurlitzer is authentic, as well as the signature CP.
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Overall, very pleased with this instrument and its features from a home practice, live and studio perspective. Audio input– this lets you route the output of mobile devices and other keyboards through the Reface CP. This could handy if you want to have a minimal mobile rig – just adjust the level of the external device using its controls. All four reface models offer a rich potential for creative sound design – and the opportunity to get in touch with the whole world: With Soundmondo, Yamaha created an online hub connecting the reface community all over the globe. Soundmondo offers creative possibilities to create, share and discover sounds. The connection is established intuitively using a special Web MIDI technology for Google Chrome. As soon as a reface model is plugged in, it offers the possibility of direct synchronisation. Voices and set lists can be stored in a private area as well as shared with the community.
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