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My Brother's Name is Jessica

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Boyne, author of The Boy in the Striped Pyjamas, wrote a 2019 children’s story about a trans teenager, My Brother’s Name is Jessica.

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Some have come to Boyne’s defence, protesting that all fiction writers attempt to tell stories from different perspectives and that he should be trusted to have done the necessary research. Boyne said he found sentiments such as “stay in your lane” troubling. “It’s arrogant. A lot of the time it’s about people trying to tell you they are morally superior to you; they know how these things should be written.” I’m not saying, by the way, that Boyne should have written the story differently. As with the awful ITV drama, Butterflies, which aired last year, I’m saying the story shouldn’t have been written at all. The narrator of Jason’s story is his adoring, dyslexic, bullied, young-for-his-age but equally articulate 13-year-old brother, Sam. Their mother, in spite of being a cabinet minister, comes across for most of the story as an idiot who knows nothing. The same goes for the father, whose comparatively limited input into the story reminded me of how Margaret Thatcher’s husband would look like a spare part next to her in public and how I used to wonder what he was for.Aunt Rose is a blessing and one of my favourite characters, along with the coach. She accepts Jason into her home, and creates a safe environment where she can use her pronouns freely, and call herself Jessica. While it takes a while for Sam and their parents to start calling Jason ‘Jessica’, and for pronouns to start, it was heartwarming to see the love from Rose toward Jessica, especially compared to what some trans youth face. Aoife Martin, a trans woman and director of TENI, has interpreted Boyne’s unwillingness to use the term as a dangerous means of ignoring his cis privilege. The only time I refer to people as being cis is when discussing trans issues,” Martin has written in The Irish Times. “This is to distinguish them from transgender and non-binary people.

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Boyne, the author of The Boy in the Striped Pyjamas and The Heart’s Invisible Furies, among other books, says he was dismayed by the response to both the piece and his forthcoming young-adult novel, My Brother’s Name Is Jessica. John Boyne is one of the world’s most beloved writers, and we are proud to be publishing My Brother’s Name is Jessica,” said Francesca Dow, m.d. of Penguin Random House Children’s. “It is a wonderful piece of storytelling that takes a timely look at the complexity of gender identity from one family’s perspective, and explores the importance of empathy and understanding. My Brother’s Name is Jessicafollows twelve-year-old narrator Sam and his relationship with his sister Jessica, a transgender teenager who transitions throughout the course of the novel. The story reflects a family’s journey from a place of ignorance to one of acceptance and celebration although we understand this is not every trans person or family’s experience.” Boyne is the author of 17 novels for adults and children with Striped Pyjamas, adapted in to a film, being his most famous. Of course, we can analyse everything with the perspective of death of the author, in which the author is removed from book. That’s my general go to, as I don’t have the time or effort to research and look at what every author has done in the past. However when it comes to representation, and the author even admitting to not consulting trans people, you have to take this things into consideration when looking at the book.He said he had written books about the Holocaust, first world war soldiers, the Russian revolution and the Bounty. “I’ve never been to any of those places, I’ve never done any of those things and nobody ever criticised me for it. If we say we can only write about our own experiences, the corollary of that, for example, is that a transgender writer can only write about transgender characters. In writing My Brother’s Name is Jessicamy hope is that children and young adults—particularly ones who are perhaps not already familiar with transgender issues—will come to this book and start to understand that anyone struggling with these issues needs support and compassion, not judgment.I have tried to write the best novel that I can. I might have succeeded or I might have failed, but I stand by it. I welcome debate and am interested in people’s views on this subject. I do not believe that the trans community bears any relationship to, or any responsibility for the abuse I have received online. I stand 100% behind all trans people, I respect them as brave pioneers, I applaud their determination to live authentic lives despite the abuse they also receive, and I will always do so.” I quite liked reading the books written for their age groups before passing them on to one or other of them, as long as it was a good story that was well-written with believable characters and I didn’t have to constantly remind myself that whatever I was reading was written for youngsters, as I did with John Boyne’s latest offering . Although according to this interview, he claims not to write with a particular audience in mind, that just doesn’t ring true with this book which, of course, I only bought because people were calling for it to be boycotted. If there hadn’t been a fuss made about it, it wouldn’t have been on my radar and how depressing it is that the would-be censors of today have learned nothing from the past. A cookie set by YouTube to measure bandwidth that determines whether the user gets the new or old player interface.

My Brother’s Name is Jessica’ by John Boyne | Peak Trans ‘My Brother’s Name is Jessica’ by John Boyne | Peak Trans

Even sillier is the notion that John Boyne shouldn’t be writing about a trans person when he’s not trans himself. I’ve no doubt that writing a story about being transgender oneself, if one doesn’t have that first-person experience, would be difficult to get right, though if you’re a talented and empathic writer who does sufficient research, it should be as possible as writing about being a man if you’re a woman, about being gay if you’re straight, poor if you’re rich, old if you’re young, etc, etc. Think of all the great literature we’d be deprived of if we made it a condition that writers only write about characters created in their own image. The narrator of the story isn’t even a trans person, he’s the younger brother of one, which doesn’t sound like such a massive feat of imagination to me. And while I obviously agree with the criticism made by many reviewers that none of the characters ring true, I don’t think the little brother’s reaction to his adored older brother’s “coming out as trans” is unrealistic. One person wrote “He misgendered the trans person in the title… I think that reflects a lot on what’s going to be in the book,” while another told Boyne “The title of your book is inherently disrespectful and makes it very difficult to start any discourse on polite terms.” The fact that transgender ideology is hurting and erasing women is completely disregarded. Is ‘Jessica’ going to someday crush some young woman’s dreams of sporting success by displacing her in a women’s football team? The comments prompted a storm of criticism, and Murphy issued a statement in which she said: “I cannot apologise enough for being the reason for this eruption of damaging and potentially dangerous social media fire and brimstone. To witness the ramifications of my actions and the divisions it has caused is heartbreaking.” Graham, without equivocation, without excuses, and without evasion: you were right, I was wrong, and I apologise.” Speaking out against trans activistsMany have taken offence at the novel’s title – which, although written from the perspective of a confused child attached to the idea of his “brother” as a boy, can be interpreted as misgendering its trans subject. This step has triggered a storm of criticism on social media. Some trans activists claim that, since Boyne is not trans, the story depicted in My Brother’s Name Is Jessica is not his to write. Others argue that to centre the novel on a cis brother’s struggle to accept his sister is to unfairly prioritise cis experiences over those of trans people themselves. The protagonist, Sam, is a 13 year old boy whose parents both work high up in the British government. He doesn’t have a lot of friends and is teased for being dyslexic. His brother, Jason, has adored him since day dot, is the captain of the football/soccer team, is very popular, and the reason why Sam is only teased and not bullied.

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Unannounced, the soccer coach arrives to discuss rumours regarding Jason to his parents. Everyone is on edge to hear what the coach will say. He has a girlfriend who betrays him, finishing their relationship when he confides that he’s “really a girl” and in no time at all everyone at his unconvincingly illiberal London school knows. Furthermore, there is no discussion of what medical “transitioning” involves and the long-term health risks. This is, in my opinion, highly irresponsible. The anecdotal evidence that many people – and not just very young people – are seeking and getting medical interventions without being fully aware of what it does to them is alarming.One of several glaring omissions in this book, by the way, is any mention of social media pressure, which figures very strongly in every story of teenage “transition” I’ve heard over the past few years. Jason is a fine strapping lad and star of the school football team yet he would cross-dress and experiment with make-up. His transgender identity seems to be all about his appearance, which sounds like a fetish to me and nothing to do with wanting the reality of women’s lives. This book was excellent as a way to speak to people of all ages. The topic of gender was broached well for young people, young adults, and adults. It talked about the complex issues surrounding it, acceptance, and difficulties, while also being an easy, upbeat read. But Boyne told Hay festival that was the point. “I’ve always said the worst advice you can give to young writers is write about what you know,” he said. “Write about what you don’t know. If we only write about what we know, it’s all biography. I had no problem teaching my children to read pre-school or in nurturing their love of reading fiction. I was immensely proud of them, though I admit there was a large element of self-interest in encouraging them to early literacy. With a library at the end of our street, it was to prove a low cost and effective way of giving me a break from them, annoying little beasts that they were.

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