Yinyoo KZ ES4 In Ear Stereo Earphones 1DD 1BA Wired Earbuds, Hybrid Drivers 1 Dynamic and 1 Balanced Armature driver Headphone with 3.5mm plug (No mic, Black)

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Females vocals can get sibilant(yes they can, CardiB went sibilant on Dinero by JLo). They are too sharp, sharper than ZST. But the best part is that you can hear breathe of singers.

KZ ES4 In-Ear - Gadget ที่ใช่ หูฟัง KZ ES4 In-Ear - Gadget ที่ใช่

This new shape is much more typical of higher-end IEMs – though it’s of course not the shape that indicates the positioning of the headphones (as Campfire Audio, among others, taught us). What’s positive about this design choice is that the KZ ZSN are really comfortable, as their shape is kind of neutral to the ears. There are no sharp edges or other similarly polarising features, so it’s easy to find the right position that is comfortable. The relatively small size also helps with this – my girlfriend, whose ears are much smaller than mine, had no trouble in wearing the ZSN and finding the right fit.

Now, the shape is not exactly the same as that of the ZS10, but it is instead slightly rounder and smaller. These two facts together afford the ES4 a better fit and therefore make them more comfortable. I used the ES4 for two or three hours at a time and felt just some slight fatigue, which is quite a good result. There’s still some way to go before KZ nails the perfect shape, but we’re getting there. The KZ ES4 belongs to the newest generation of KZ in-ear monitors and shares some design similarities with the KZ ZS10 , like the transparent housings and the characteristic divider board with the KZ logo which can be found inside the rear section of the housings. I would say that the KZ ZSN are good for most genres; their V-shaped tuning makes them especially apt for modern genres, but it’s up to one’s taste in the end. BA ให้รายละเอียดที่คมชัด เนื้อเสียงชุ่มฉ่ำ เสียงร้องชัดถ้อยชัดคำ ฟังสนุก เสียงออกแนวหวานกังวาลใส ส่วนเสียงสูงก็ทอดออกไปได้ไกลกำลังดี เนื้อเสียงหวานเช่นกัน รายละเอียดครบถ้วน เนื้อเสียงไม่แห้งมีสากเสี้ยนบาดหู ปลายเสียงเก็บไวไม่แตกพร่า ทำให้ฟังได้นานไม่รู้สึกปวดแก้วหู ตรงจุดนี้ต้องยกความดีความชอบให้ไดรเวอร์ Balanced Armature จริง ๆ ที่ทำจุดเด่นออกมาได้ดีขนาดนี้ ส่วนเวทีและมิติเสียง มีขนาดกลางกำลังดี ไม่แคบ จัดวางเครื่องดนตรีได้ดี เสียงร้องพุ่งออกมาข้างหน้า เครื่องดนตรีย่านต่ำคลออยู่โดยรอบฟังสนุก เนื้อเสียงมีความสมจริงมาก ๆ แนวเพลงที่เหมาะสม

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The response to custom equalization of the KZ ES4 was outstanding, bass could be empowered into insane levels of punch and depth; lower vocals got very clear and mid-bass bleed was nearly extinguished; highs became extra bright and open-sounding. Yinyoo Pro: I’ve read many people praising these earphones. I think they belong in the trash bin (sorry if I’m a bit harsh with that). The KZ ES4 are better in every possible way, there’s no contest. Speaking of technical ability, the KZ AS10 is not half bad by any means. Soundstage does not extend to far-reaching distances and does not reproduce the feeling of being in a large hall, and neither has enough extension to the sides and depth to recreate a feeling of being in a space, rather than having the music played directly in your ears. It often feels a bit congested, as if music was compressed in a small space. Imaging is good enough to come to soundstage’s aid in allowing the listener to locate the instruments with acceptable precision. KZ ES4 the latest release from KZ with a dual hybrid configuration, detachable cables and plastic housings.

TL;DR: recap

Shozy Hibiki Mk2: the Hibiki Mk2 are, among the headphones presented in this comparison, the most similar to the AS10 in terms of tuning. There are some key differences, though: the AS10 are more balanced, thanks to more treble presence and better extension; midrange is also less warm, and bass is a bit more controlled. In terms of quality, the AS10 seems to have better detail and better instrument separation, which lead to clearer sound. Soundstage is where the Hibiki win, as they are able to present music in a relatively wide space. Noise isolation of the KZ ES4 is highly efficient, with a level of reduction of surrounding noises far stronger than most average earphones. You can set your volume within moderate and they will still provide a near absolute isolation, by cranking the volume just a bit higher the will isolate you completely from noises.

KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip รีวิว KZ ES4 + สายอัพเกรด ของดีราคาประหยัด - Pantip

KZ ES4 In-Ear ราคา ยังคงเอกลักษณ์และจุดเด่นของแบรนด์เอาไว้อย่างครบถ้วน นั่นก็คือคุณ๓าพเสียงระดับไฮเอนด์ ในราคาระดับเริ่มต้น บอกเลยว่าไม่ทำให้ผิดหวัง เหมาะกับคนที่อยากได้ หูฟัง In-Ear มาใช้งานกับ Smartphone มือถือ หรืออุปกรณ์พกพาต่าง ๆ ด้วยแรงต้านทานที่รุ่นนี้มีไม่มากนักขับได้ง่าย รับคุณภาพย่านเสียงระดับสูงได้ง่าย ๆ ไม่ต้องต่ออะไรมากมาย และผู้ที่มองหาสินค้าที่สวมใส่ได้ง่าย สบายหูเป็นเวลานาน ๆ คล้องหูก็ไม่ระคาย รวมไปถึงชอบอัพเกรด ยิ่งรุ่นนี้นอกจากจะอัพเกรดสายได้แล้วยังอัพเกรดไปเป็นสายแบบ Wireless ได้ด้วย กับราคาเท่านี้ พลาดไม่ได้จริง ๆ รายละเอียดทั่วไป KZ ZS10: the midrange on the ZS10 is much more recessed and much less balanced; treble, too, is way less present and detailed. It almost feels dull in comparison to the AS10. The only point in common is bass, which is however not as emphasised on the new model. In terms of technical ability, the AS10 win in terms of detail, but the ZS10 are better on the soundstage front. The rest is a tie. The KZ ES4 is the newer updated version of the KZ ES3 , inheriting some of their main technical specifications like: dual driver, plastic housings, detachable cables. Instruments can be a little coloured in image but are precisely placed in stage and not like ZS10 weird stage effect. Pace, Rhythm and Timing is also good, but overall it is a little incoherent(way better than many hybrids, but still, not like my 64audio). The peculiarity of the ES4 is the large-tipped nozzle: it is not straight, instead it is larger at the top so that it grips eartips better. This could cause a few issues with eartips that have a hard inner bore (e.g. Comply foam eartips, which I talked about in my best eartips guide), but should make it harder for silicone tips to come off.The soundstage is wider than deep doesn’t show a lot of height. Here again this is somewhat tip dependant as I found I could influence stage dimensions with the bore of the tips. In all instances, it is fairly intimate, but I could make the stage deeper and narrower by using narrow bore tips or wider and shallower by going to the wide bore tips. (Ymmv as this is the musing of an old fool). TRN V80: the V80 are V-shaped and very much so, so it is no wonder that they end up having more emphasised bass and much more prominent treble. In terms of quality, then, there are a few differences: the V80 have deeper bass, but not as much control; midrange is more balanced and frankly enjoyable on the AS10; treble is more spacious and airy on the V80, but it is also much more easy on the ears on the AS10. In terms of soundstage the two are similar, but in terms of instrument separation and imaging the AS10 win by a slight margin. Midrange is certainly recessed, but not as much so as to sound distant or as to make you wish for more volume. The signature is balanced enough to leave midrange enough room to breathe; instruments (including voices) are placed in the mix so that they are always clearly audible. Tonally-wise, midrange is on the warm side, but gently so: mids stay balanced and the upper range is not too far behind the lower range. This presentation is quite relaxing and enjoyable, especially if you listen to acoustic instruments. It’s decent even if we take a few other matters into account: detail is good enough to deliver the necessary nuances, but you never get to taste the finer ones. Even a few smaller details get lost in the mix, though that’s to be expected. Speed is good, though, so fast transients are rendered with impressive accuracy for the price range the KZ ZSN are in. The KZ ES4 mids have full bodied sound with a warm personality and very crisp higher mids. Lower vocals sound energetic and alive despite a mild presence of mid-bass bleed. If you were not into KZ’s new approach with the tuning of the KZ ZS10, you will be happy to know that the KZ ES4 has KZ’s sound signature that everybody loves. The KZ ES4 has a very strong output and if you crank the volume you will feed their crisp higher mids into some harshness.