I know what you’re thinking, it’s that meme from the office where she’s like “They’re the same picture” and honestly, there’s very little difference at all. The only thing that I think I can glean from these pictures is that the Superia may have a little more saturation in the magentas (the pink flowers) and possibly a little more green. Kodak Portra 400 is undeniably better but Fuji Superia is really good for what it is. What Are They Best For? As per usual, Portra 400 is probably better in this department because of its dynamic range and finer grain, it’s tones are probably a bit better. Dynamic Range

Fujifilm [United Kingdom] Processless CTP Plates | Fujifilm [United Kingdom]

Perhaps you can see in the bottom right-hand corner, there is some browny/yellow brush which seems more saturated in the Superia image than in the Portra image. So, will I use this film again? Of course, as I bought two more rolls of it. Joking aside, Fuji Superia gave me pleasing results, so I will probably use it again from time to time.Overall, it’s safe to say that Superia’s best feature is its dynamic range. This makes it a forgiving film , suitable for plastic toy cameras , old cameras with less-than-reliable shutters, and for metering using the Sunny 16 rule . It is also an excellent film to shoot in high-contrast scenes such as high noon and night photography . Fujifilm's next generation processless plate is ready to advance your commercial offset production to new levels of efficiency. With excellent robustness, Superia ZD delivers high run lengths and consistent quality. It is also UV ink compatible. Fuji Superia’s lush greens are usually perfect for festival and outdoor scenes, but Venus 800 is a slightly more muted, cool affair. I found none of the almost over-saturated colour here, instead a realistic rendering of skin tones, grass, and a slightly blue cast – very subtle, and not too noticeable. Finally, we have Cinestill 50d. In its original form, this film is Kodak Vision3, which is a daylight balanced motion picture film. Cinestill takes Vision3 in bulk and removes the remjet layer so it can be produced as a photographic film. There are several distinguishing factors about this film that set it apart, but the biggest is what happens to it as a result of losing that remjet layer. That layer acts as an anti-halation layer for the film, so with it gone, you will notice a pronounced tangerine-ish colored glow around highlights. This is the Cinestiill trademark and depending on who you are, is what makes it beloved or hated. And while the film does exhibit extremely fine grain, it also has very low edge sharpness which makes it appear soft, again, as a result of that halation. What’s exposure latitude? Exposure latitude is essentially how much a picture can be under or overexposed while retaining as much information as possible. Basically, Portra 400 has very good exposure latitude, which means you’ll get more information from the shadows and highlights.

Fujifilm Superia - Wikipedia

Like Natura 1600 , which shares X-Tra’s ridiculous resolution stats, Superia can show chunky, coarse grain in the shadows that dissolves into imperceptible granules in well-exposed areas. I wonder if you think the new Classic Neg FujiFilm Simulation to be an even better (to life) choice. Not that there is any need for true renditions in photography.

For those who are new to film, latitude is a term we use when we’re discussing how over or under exposed a film can be and still be “pleasant”. Of course, this score is not perfect and a lot of it has to do with taste. Many of these films suffer from color shifting when over- or under-exposing, which some find more appealing than others with certain films. But these scores represent the average latitude values I’ve been able to research from other reviewers, or as reported by the film manufacturers. A higher score here means a film is more flexible and forgiving. Street photographers, for example, my prefer a more forgiving film as conditions are constantly changing while shooting. Whilst a landscape photographer who is taking their time might be ok with a film that requires more precise attention to appropriate exposure values. I think many of you will really appreciate this film simulation recipe. It has fairly low contrast, but not too low, and produces very nice colors. It has a nostalgic quality to it, since the film that it’s based on was widely used for family snapshots in the 1990’s and 2000’s. You can use it for portraits or street photography or landscapes—really, it’s good for most situations. Unfortunately, as of this writing, this Fujicolor Superia 100 film simulation recipe is only compatible with the Fujifilm X-Pro3, X100V and X-T4 cameras. This recipe does use the new Clarity feature, and you should be aware that it slows down the camera considerably.

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I think Fuji Superia 400 could be a great option for projects that might not be completely important. Like, let’s say you want to shoot good portraits or documentary photography or street photography and you want it to be good but you don’t need it to be absolutely perfect, this is where I think Fuji Superia comes into play. Notice of discontinuation of some photographic film products". www.fujifilm.co.jp . Retrieved 2020-02-09. If you’re still reading, I’ll assume you’ve gone through and rated the photos. And if that’s the case, it’s now time for the big reveal. Here are the names of the emulsions assigned to each letter:All of this makes sense since, Superia was produced to be consumer-grade, for the most part, people only really had 35mm cameras so there wasn’t much point in producing medium or large format film. Can You Shoot Them Out-Of-Date? Fujicolor Superia is a Fujifilm brand of daylight balanced colour negative film introduced ca.1998 primarily aimed at the consumer market, but was also sold in a professional 'press' variant. A key feature at launch was the '4th' cyan colour layer designed to provide improved colour reproduction under fluorescent lighting. Its Kodak equivalent is the Kodacolor (later Kodak) Gold/Ultramax line. Archived copy" (PDF). Archived from the original (PDF) on 2015-09-22 . Retrieved 2018-04-01. {{ cite web}}: CS1 maint: archived copy as title ( link) Both Portra 400 and Fuji Superia are known for having fine grain, however, Portra 400 should have the finer grain of the two. Information on price revisions and discontinuation of some photographic film products" (PDF) . Retrieved 2020-02-13.

Fujifilm Superia X-TRA 400 36 Exposure Film (Pack of 3)

Superia 400 is a classic Fuji 35mm film that faithfully reproduces colours and skin tones in low-light while colour-balanced for flash - this is an excellent general use emulsion. Kodak Portra has been around since 1998, although, I’m sure a variation of it has been available for a lot longer (Kodak loved to chop and change the name of things). One can probably liken it to saying that it’s very close to Instax, but also not really in certain situations. Fujifilm Superia has a very good tonal range to it being easily able to recover highlights and shadows–though it tends to do better with shadows than highlights. Fujifilm Superia is first and foremost a daylight film, so you should try to expose it in daylight lighting lest you want to go for neons at night time and get a warmer look. In that case, go for it! I encourage it! That’s a super awesome look. Image Quality Pentax 67 (Superia 100)

The SUPERIA LH-PL employs a double-coated photosensitive layer, which delivers enhanced run lengths compared with other no-bake CTP plates.