Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera

Product Information

Please complete the form below for a quote - Please be as accurate as possible to help us give an accurate quote. In practice, the size difference between the FX3 and A7S III will be negligible, with the cameras respectively weighing in at 715g and 699g (including batteries). Instead, the design differences are simply tailored towards different shooting styles... 2. The FX3 comes with a handle that has XLR ports A network connection, via Wi-Fi® or wired via a USB Type-C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony’s Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP. Remote preview, shooting, and streaming In addition to the camera’s convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used. Dual high-speed media slots S-Cinetone™ look profile which is inspired by the digital motion picture camera VENICE’s colour science, also used in FX9 and FX6 Cinema Line cameras, and records up to 4K 120p

Sony Alpha FX3 ILME-FX3 | Full-Frame Cinema Line Camera + E Sony Alpha FX3 ILME-FX3 | Full-Frame Cinema Line Camera + E

Sony’s FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today’s creative community. Compact and lightweight, it’s easy to carry and handle. Full-frame image capture even in dim lightThe FX3’s full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600. Wide dynamic range, wider creative expression As the latest addition to Sony’s Cinema Line, the FX3 delivers a cinematic look and professional operability and reliability and is the smallest, cheapest cinema camera for pro filmmakers. For uninterrupted 4K/60p12 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure, and a silent cooling fan work to optimize cooling even during long shoots. XLR adaptor and digital input for quality audio Submit a valuation request and we'll provide guide prices with no delay. Plus, we'll collect your gear from your home or work for FREE. But it does mean that the FX3 is promising completely 'uninterrupted' 4K/60p shooting, which might push it ahead of the A7S III for those who regularly shoot long clips like one-shots or interviews.

Sony FX3 is officially its smallest, cheapest cinema camera Sony FX3 is officially its smallest, cheapest cinema camera

Not guaranteed to be 100% dust and moisture proof. XLR handle is not designed to be dust and moisture proof. The FX3 features 5-axis optical in-body image stabilisation - highly effective for handheld shooting. A high precision stabilisation unit and gyro sensors have made it possible to provide an Active Modethat is dedicated to movie shooting in each format, including 4K. In-body image stabilisation means that effective stabilisation can be achieved with a wide range of lenses, including E-mount lenses that do not include stabilisation of their own. In addition, the FX3 records image stabilisation metadata that can be done more practical adjustment during post-production using Catalyst Browse/Prepare. In addition to six customizable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly. Uninterrupted 4K/60p recording Sony says this is because they wanted to make the FX3 as compact as possible, but it's an omission that could make it less appealing to some filmmakers. Cinema paradisoBeyond the physical design just being compact, it’s also built to maximize efficiency and operability through the inclusion of an articulating 3.0″ touchscreen LCD, a removable shoe-mounted top handle with dual XLR mic inputs, and 5-axis mechanical image stabilization for smoother handheld recording. New Cinematic Freedom The zoom lever located on the top of the grip not only controls compatible powered zoom lenses but also allows Clear Image Zoom to be also used with unpowered zoom and prime lenses with less image degradation – reducing the number of lenses required for many projects. This lever also enables smooth zooming that is difficult for manual zoom-ring control. However, the FX30 offers the same design, handling, build and cinematic features at half the price. It’s also an effective and useful stills camera, where the FX3 is not.

Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera Sony Alpha FX3 ILME-FX3 | Full-frame Cinema Line Camera

The most compact and lightweight Cinema Line camera is ideal for handheld shooting, gimbal and drone-mounted work. It weighs just 715 grams, including battery and memory cards, and the body is 77.8 mm high, 129.7 mm wide and 84.5 mm deep – without protrusions. The camera grip has been carefully designed to provide optimum flexibility, stability and comfort for long shoots. S-Cinetone color, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It’s precisely tuned to meet the requirements of today’s content creators, with rich color and natural skin tones that match other Cinema Line cameras without grading. 4K 120fps with every frame in focus The Sony A7S III is more affordable than the FX3, and not just because it's a little older, having arrived in July 2020.Sony internal tests. USB power supply (USB-PD device, 9V/3A output), XAVC S-I (All-I), 4K 60p 10-bit 4:2:2, 77 °F (ambient, camera when recording started), Auto power: Off, Temperature: High, Cooling fan: Auto. The duration will vary depending on the shooting conditions. The maximum continuous recording time for a single movie shooting session is approximately 13 hours (a product specification limit). The FX3 also gains some other filmmaking-specific extras, including a rather fetching tally lamp (below), which clearly shows when the camera is recording to avoid any mishaps. The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 color sampling with All Intra on top of Long-GOP compression. This makes it possible to push your color grades further while still retaining natural gradation, for true editing freedom. Dependable, highly accurate autofocus