Wimberley Plamp II PP-200

Product Information

When you're in real close with macro photography, the slightest movements are magnified. The solution is that you just have to be patient when making those small adjustments to get the precise composition you're after. Designed for full-frame sensors, this manual-focus optic offers a true-macro magnification ratio of 1:1 and a bright f/2.8 aperture. Available in all major camera mounts, the 100mm f/2.8 ED UMC Macro has a 15-element, 12-group construction that features high refractive and extra-low-dispersion elements for premium image quality at a price that won’t break the bank.

Support your flash, diffuser and more with an extreme macro

Any review of the Wimberley Plamp should include its weaknesses too and I only know of two shortcomings. The first weakness is that the plamp is quite stiff when you first get one. This makes it challenging to make very minute changes in its exact position. In macro photography, the close focusing distances and narrow apertures that are often required can lead to available light being a precious commodity, so why not make your life easier and your images more dramatic by adding some of your own! This lens could also double up as a fantastic portrait optic, thanks to its nine-blade circular aperture which produces beautiful bokeh in the out-of-focus areas of a scene.

The plamp's large clamp can be attached to essentially anything that will fit in its jaws. This includes nearly every tripod on the market, tree branches, furniture, stakes driven into the ground, vegetation, etc. The Plamp is designed to attach to your own tripod but it is often handy to attach it to a second tripod so that you are free to move your tripod around without affecting the subject. With a Multi-Angle Central Column (MACC) System that allows users to shoot from zero to 180 degrees in variable vertical and horizontal positions, the Vanguard Alta Pro 263T is a great tripod choice for macro shooters who want stability for low-level shooting. This is a review of the Wimberley Plamp II Macro Clamp. It's a rather curious looking camera accessory and you're probably wondering how in the world you would use one. Simply put, it's acts like you have a third hand available to do your photography.

Wimberley The Plamp II | Wex Photo Video

Kenko's Auto Extension Tubes contain all the circuitry and mechanical coupling required to maintain autofocus and TTL auto exposure with most lenses, provided there is enough light. As they’re available in a wide variety of camera mount fits, there will very likely be one that works with your setup. For what its worth, I have had some success combining the Plamp with "chenille" from craft supply stores; what we used to call "pipe cleaners". I use the Plamp to hold the chenille, then carefully wrap the chenille around the the plant stem or whatever. Frankly, this doesn't fully solve the vibration problem, but it is easier to reposition the flower (or whatever) than having to move the articulated segments of the Plamp. I also found that even the small clamp on the end of the Plamp would tend to crush non-woody stems, and I don't like doing that. So the chenille avoids that problem as well.

plamp (n.) (combination of the words, "plant" and "lamp") (adj. plampy) (adv. Plamply/plampily) (v. plamping, to plamp) (sentence {v}: plamp it up!) Here's something you can try if you like to get creative with your photographer's clamp. I got the idea from another photographer. Get two of these gadgets together and you can connect them to form a makeshift, adjustable mini-tripod to handle some really unique photography situations. The main clamp is shaped to be able to grip onto poles like the leg of your tripod or can also clasp flat objects in the orange shoes on the ends of the jaws. non-PHOTOGRAPHIC uses for your plamp reflectors, which are generally held in a relatively vertical position and not fully cantilevered out, can be held and positioned confidently with a single Ground Plamp. The average helping hand usually has a couple of crocodile clips attached on a frame-like structure, so it can be used to support things like polystyrene cups if you use those for your extreme macro diffusion, as I do.

Wimberley Professional Photo Gear - The Plamp II - Tripod Head Wimberley Professional Photo Gear - The Plamp II - Tripod Head

Thread two or three pipe cleaners through a straw. Twist these together at one end and twist in another pipe cleaner. Twist a couple into the other end. I consider the Plamp to be a necessary piece of equipment for serious wildflower photographers and recommend it highly. I am adding it to the equipment list on all the workshops I conduct where wildflower photography is anticipated."The most common use for the photographer's clamp is to hold a flower in place, but you can use it to hold any small object in the prefect position for a close-up photo. If you need more reach (e.g. if you are using a 180mm or 200mm macro lens), you have three options. The first option is to attach the

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I've used it this way more than once to see what I was doing while fixing a drain pipe under the kitchen sink.The segmented arm of your Plamp is approximately 19" long. If you do not need all this length, we encourage you to shorten your Plamp. To shorten the arm, bend the arm sharply until it snaps in two (do not worry, you will not hurt the Plamp), remove a length and reconnect the pieces. Have any friends who like to shoot macro too? If so, please share this review of the Wimberley Plamp II Macro Clamp with a friend or on your blog. You can use the plamp to grip a variety of objects because of several different clamping areas. The pressure from the different gripping areas are all precisely controlled by a thumbscrew to get just the right amount of grip. Your problem is that you're too far from civilization. If you were in the Detroit area, you could pop into one of dozens of Grainger, McMaster Carr, or Production Tool locations to play with the Loc-Line, try before you buy. It's a very simple, non-tech piece of macro photography equipment that can be used in a variety of ways, both photography and non-photography uses. It's mainly designed to clamp to your tripod and gently grip your subject or a light modifier.