A flawless poster that will be in the exact same condition as the day it was printed with no marks or fading.

Hardy was not asked to direct the sequel, and never read the script, as he did not like the idea of Howie surviving the sacrifice, or the fact that the actors would have aged by 20 to 30 years between the two films. [79] In May 2010, Hardy discussed The Loathsome Lambton Worm. "I know Tony did write that, but I don't think anyone particularly liked it, or it would have been made." [80] The story un-folds like a cross between Chinatown and Rosemary’s Baby, as the dogged Howie gets led all over town, up one blind alley and down another. Clues are dropped all the way about what is really going on, but we don’t heed them. Until it’s too late. Too late to walk away. Enjoy your favourite drink from a mug decorated with an image you love. Sentimental and practical, personalised photo mugs make perfect gifts for loved ones, friends or work colleagues A novelisation, which expands on the story and bears the same title, was released in 1978. It was written by Hardy and Shaffer.The creators of The League of Gentlemen television series often reference the film in their work, particularly in the Inside No. 9 episode 'Mr King'. DUE): 39 x 55″ This is the standard poster size used in Italy. Italian poster illustrators are some of the best in the industry.

x 40″ Most common poster size used in the UK. British Quads are horizontal and may have different artwork to the US one sheet. Like a US one sheet they normally come in two versions. Like a US one sheet they are usually supplied single-sided or more commonly now as a double sided poster. Howie meets the island's leader, Lord Summerisle, grandson of a Victorian agronomist, to get permission for an exhumation. Summerisle explains that his grandfather developed strains of fruit trees that would prosper in Scotland's climate and encouraged the belief that the old gods would use the new strains to bring prosperity to the island among the pagan population. Due to the bountiful harvests, the island's other inhabitants gradually embraced paganism. A poster with bright colour and crisp overall appearance. It may have very general signs of use including slight fold separation and fold wear. It may have pin holes or very minor tears. This is the highest grade allowed for a poster that has been restored either on linen or on paper.x 28″ six inches shorter than the US insert, very nice size to frame. Italian poster illustrators are some of the best in the industry. x 81″ printed on paper. These were printed on two or three separate sheets designed to overlap, few survive. Used for larger advertising spaces, normally posted on walls, perfect for huge movie theatres the drive-in, where people could see them from a distance. From the 1970’s on, three-sheets were sometimes printed in one piece and issued as “international” versions to be used abroad. BRITISH Posters Sergeant Neil Howie journeys by seaplane to the remote Hebridean island of Summerisle to investigate the disappearance of a young girl, Rowan Morrison, about whom he has received an anonymous letter. Howie, a devout Christian, is disturbed to find the Islanders paying homage to the pagan Celtic gods of their ancestors. They copulate openly in the fields, include children as part of the May Day celebrations, teach children of the phallic association of the maypole, and place toads in their mouths to cure sore throats. The islanders appear to be trying to thwart his investigation by claiming that Rowan never existed. The original 99-minute version was available in the US on VHS home video from Media Home Entertainment (and later Magnum) during the 1980s and 1990s. [45] This video includes additional early scenes set inside Howie's police station, which Hardy had left out of the 1979 restoration. In 2001, a remaster of the 88-minute cut was released on VHS, labeled as the "Theatrical Version". A second generation 35mm intermediate positive produced in 1973 was used to replace a small section with unrepairable damage in the original negative. The additional footage is sourced from 35mm prints, which are the only known sources for this material. Colour grading and restoration were completed by Silver Salt Restoration UK who dedicated over 500 hours to fix physical damage to the 35mm negative, manually clean and remove dirt, sparkle and scratches. The colour grade used was previously approved by Robin Hardy and replicated here.