Why Women Grow: Stories of Soil, Sisterhood and Survival

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Bonus episode: Writer and novelist Jamaica Kincaid redefined garden writing with books such as My Garden (Book) and Among Flowers, as well as changing perspectives on the post-colonial experience through titles such as A Small Place and Lucy. We meet the Antiguan-American author in the halls of Charleston House, Sussex, where Bloomsbury Group artists Vanessa Bell and Duncan Grant made art, a home, and a life-long relationship. In a quiet moment away from Charleston’s Festival of the Garden, Jamaica tells us about how gardening sits alongside her writing practice, how she converses with her plants and what they teach her about mortality. Alice Vincent delves into what it is that makes women want to garden, uncovering what drives the urge to sow seeds and nurture plants, and by doing so goes on her own journey of discovery" Why Women Grow is a much-needed exploration of why women turn to the earth, as gardeners, growers and custodians. This book emerged from a deeply rooted desire to share the stories of women who are silenced and overlooked. In doing so, Alice fosters connections with gardeners that unfurl into a tender exploration of women's lives, their gardens and what the ground has offered them, with conversations spanning creation and loss, celebration and grief, power, protest, identity and renaissance.

Wise, curious and sensitive, Why Women Grow follows Alice in her search for answers, with inquisitive fronds reaching and curling around the intimate anecdotes of others.I love hearing from Carole, who grew up on the estate behind my Brixton flat in the 70s, and has the best stories to tell. Sometimes I bump into her in the neighbourhood while she’s on one of her sprawling south London walks; sometimes I pass her equipment or plants for her community gardens. Every time, it feels like I’m part of a community I didn’t previously know existed. I regularly meet Elaine, an artist on the cusp of her 60s, for an outdoor sandwich, following the first spontaneous picnic we shared that she pulled, Mary Poppins-like, from her bag years before. She’s lived a remarkable and inherently feminist life, giving women’s voices space in her work. The last time I saw her, she gave me a flower press she’d made from old table mats that belonged to her mother. This book was more about the writer telling her experience interviewing these women, rather than truly diving deep and finding a deeper understanding of the concepts that she set out the intention to write about. This book barely scratched the surface of some really beautiful and meaningful concepts that it brought up, which was such a waste of potential and such a pity. I feel like this is two separate books. The book I’m interested in is the one where we hear the voices of all the amazing women she interviews, and their lives. At her best Vincent captures a garden in its mid-October glory: “Masses of purple asters, the last of the scabious, nigella and salvias; one brave, bright purple foxglove clinging on five months after its siblings bloomed.” Elsewhere her writing veers into repetition. Few interviews deviate from generalisation into toothsome anecdote, and a meeting with Cosey Fanni Tutti of 1970s band Throbbing Gristle skitters by in a quote-free paragraph. We are delighted to be hosting the official launch of garden writer Alice Vincent’s new book ‘Why Women Grow’, a major narrative exploration of the relationship between women and the soil. Ahead of the event on Tues 28 February, here is an exclusive extract from the book:

One of those rare and special books that reminds you why, especially during trying times, you might suddenly find more joy in caring for a plant, or seeing the turn of Spring. Highly recommended!" Both tender yet fierce, this book is written with an acute sense of women's relationship to the land and how vital that is. I loved it" I did skim through the last third of the book, as after a while I started wondering why it still felt like the author was saying the same exact things that she was at the beginning, and why it still felt like I was reading the introduction of a work rather than unraveling the core of it. A beautiful meditation on the overlooked history of female gardeners, tracing how women have drawn strength and power from the natural world"Reading this book felt like finding a good amount of beautiful insights and reflections that got you excited, only to leave you feel extremely unsatisfied and wishing there was more (not in a good way), because it was all just left at aphorism booklet level, among a whole lot of other rather boring and unnecessary information. I wish there was less telling us about how she found these people and describing all the steps they took around their gardens and listing all the flowers they planted, and more diving deep into the concepts that were revealed. The description got redundant and after the first quarter of the book it just felt like empty rambling about things she already had said before, and honestly did not add anything valuable to the book at all. A conversational odyssey from a Canary Wharf balcony to Charleston, the Bloomsbury set's hangout, and a windswept smallholding in Denmark. Why Women Grow is the splendid-looking account of these encounters. The narrative unfurls like a vagabond anthology of potted biographies, confessions jostling alongside social commentary [...] If you enjoy window-shopping other people's lives, you'll relish this staggeringly diverse array of individuals. Vincent's affection for her subject is infectious" Why Women Grow shows the beauty and grit of tending the soil in difficult times. Alice Vincent shows us that the cure for uncertainty is to get mud under our nails.’ KATHERINE MAY, author of Wintering Anne McIntyre has been in clinical practice working as a medical herbalist for over 40 years, having also trained as a remedial masseuse, aromatherapist, homeopath and counsellor. Anne runs her busy practice from Artemis House in the Cotswolds and for over 30 years she has incorporated Ayurvedic philosophy and medicine into her clinical practice, producing a unique integrated approach to the care of patients and prescription of herbs.

The history of horticulture has often overlooked the contribution made by women, and this book offers a timely antidote" I have always learned about plants through their stories: how they came here, what they represent, what silent powers they hold and who they mean something to. I have made my career as a storyteller: as a journalist, I have told stories daily for more than a decade. Now, I wanted to hear – perhaps even tell – these women’s stories. I wanted to learn more about what had driven these women to garden, perhaps to better understand my own need for the soil, perhaps to better understand what it was to be a woman.Kayla, eking out the last months of her sentence in an open prison, cannot see her children due to Covid, but finds solace restoring glasshouses to grow tropical plants for city millennials. Vincent notes the pricey blow-dry of a woman whose overgrown plant Kayla capably splits in two before admonishing her to clean the pot. The message is clear: purpose restores pride and hope. Alice Vincent has written something wonderful. Why Women Grow is a book that not only presents us with the beauty of the earth but asks one of the most fundamental questions to the human condition: what does it mean to create? I loved the way she wrote about the ambivalent power of the maternal question . . . We need more books about women, wombs and our role in the world; Alice has done that with charm, humour and an impressive depth of knowledge.’