The Extraordinary Life of an Ordinary Man: A Memoir

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The Extraordinary Life of an Ordinary Man: A Memoir

The Extraordinary Life of an Ordinary Man: A Memoir

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This unforgettable and extraordinary memoir, one of the best and most compelling books of 2022, is a breathtakingly honest mea culpa from a complicated man striving to excavate his demons; according to Newman's daughter Clea, who writes the memoir's afterword, he succeeded in his final decades.

You work what you consider pretty hard at your craft, and you're getting to the point where you're just starting to feel kind of good about yourself, and then somebody says, 'Oh, God, take off your sunglasses so I can see your baby-blue eyes!' " Newman said, in an excerpt from the book released by People.

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THE EXTRAORDINARY LIFE OF AN ORDINARY MAN is revelatory and introspective, personal and analytical, loving and tender in some places, always complex and profound. Newman's often traumatic childhood is brilliantly detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Marlon Brando and James Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward--their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. Then all this was put together for a book about Paul Newman, contributions and stories from his co-stars and directors. Given this psychological record, Newman refuses to take credit for his much-praised philanthropy. Although the salad dressing sold as Newman’s Own generated millions for charitable causes, he winces at the way he marketed his celebrity on the shelves of grocery stores and suspects that his altruism came “from having no civic impulses at all, just inventing them the way I invented everything”. Presumably that also applies to his political activities in support of candidates who opposed the Vietnam war; though he voted Democrat, Newman defines himself as “an emotional Republican” – hard faced and self-contained or, as a college crony says of him, “tough and cold”, even “devilish”.

Newman often had a shitty opinion of himself - spent time in therapy examining his life, his marriage to Joanne Woodward, his parenting, his acting, etc.Newman was predisposed to addiction and alcohol. He compensated his drinking with physical fitness and long saunas.

You read a celebrity biography/autobiography you would like to know the person, the personality, Newman shows not much personality, a very private and quite person, no mention of co-stars, many films not mentioned at all, no mention of The Towering Inferno at all. Throughout Newman's account of his life (narrated very well in audio by Jeff Daniels), there is a sense of real loneliness, at feeling like he wasn't always in control of his own life, and that he resented the intrusion of fame. He found it boggling how women eventually found him to be such a sex symbol, as he couldn't get a girl to even talk to him until after he had been discharged from the military. There were a lot of fascinating moments in this book: reading about his relationship with his parents (his mother treated him mostly like a prop and once he was married to his first wife, insisted they sleep in twin beds), his family's complicated relationship with Judaism and how he was the rare actor who chose not to change his name, his time working with Lee Strasberg and the Actors Studio, his relationship with Joanne Woodward, the comparisons to Marlon Brando and James Dean, etc., plus the information from his daughter about his philanthropic efforts. Newman's often traumatic childhood is detailed. He talks about his teenage insecurities, his early failures with women, his rise to stardom, his early rivals (Brando and Dean), his first marriage, his drinking, his philanthropy, the death of his son Scott, his strong desire for his daughters to know and understand the truth about their father. Perhaps the most moving material in the book centers around his relationship with Joanne Woodward - their love for each other, his dependence on her, the way she shaped him intellectually, emotionally and sexually. he was honest to the core, was a loyal friend, very well respected by most people, loved to laugh at his own jokes…..

Paul Newman died in 2008 but he had been working on his memoirs since 1986. After he died his family and friends set about trying to finish this project. It took about 5 years and I think it was well worth the wait. The Last Movie Stars". Сериал, посветен на въпроса, как може да си звезда, и все пак да останеш женен за една и съща жена 50 години, да преживееш самоубийството на сина си, да участваш в движението за граждански права на Лутър Кинг, да дариш милиони за грижа за болни деца и наркомани като насмешливо сложиш лика си върху домашен сос из супермаркетите и същевременно живееш на ръба като автомобилен състезател. Memoir is loosely applied here. This is the transcript of a recorded series of conversations between Paul Newman and screenwriter friend Stewart Stern in the late 80s- early 90s that two of Newman's daughters published years after their father's death, with added bits and pieces from other friends, family and industry colleagues to round out the anecdotes and memories. In this way, it is mostly Newman's own words, but it's impossible to know if this is how he would have chosen to present his story and his voice. As seen in The Last Movie Stars documentary - t he raw, candid, unvarnished memoir of an icon. The greatest movie star of the past 75 years covers everything: his traumatic childhood, his career, his drinking, his thoughts on Marlon Brando, James Dean, Elizabeth Taylor, his greatest roles, acting, his intimate life with Joanne Woodward, his innermost fears and passions and joys. With thoughts/comments throughout from Joanne Woodward, Tom Cruise and many others. The one thing I’ve always admired is excellence. I recognize it in almost anything: plumbers, museum guides, limousine drivers, bank tellers—I delight in seeing it. Maybe we choose those arenas in which we have the best chance for excellence. For me, maybe that’s acting, or being somehow connected to the theater, or capitalizing on the way I look, or fooling people”



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