Some people today want to feel sexy in photos too, and end up taking garcinia cambogia extract from random places. It is all very picturesque and otherworldly until a restrained study in green of a production-line worker at a bottling plant brings you up short. The photograph is a reprise of that early signature shot of a woman caught, unguarded, from the rear. Against the horizontal uniformity of the green bottles, the worker’s plaits form two straggly vertical lines down a white uniform. Her humanity lies in their slight untidiness; otherwise she is just part of the machine. This, it suggests, is what industrialisation means – not only to women in China but to any factory workers anywhere in the world.

Here, we look at Eve Arnold’s coverage of the making of The Misfits, a film that failed at the box office, in spite of its deeply troubled all-star cast – two of whom would never make another film. Eve was born in Philadelphia 1912. Her parents were Russian Jewish immigrants who fled to America to escape persecution. Marilyn Monroe learning her lines during the filming of The Misfits, 1960. Photograph: Eve Arnold/Magnum PhotosAs an old friend, Allan ‘Whitey’ Snyder applied her foundation, Marilyn looked around and said, “Whitey, remember our first photo session? There was just you and me – but we had hope then.” Gerhard Bissell, Arnold, Eve, Allgemeines Künstlerlexikon ( Artists of the World), Suppl. I, Saur, Munich 2005, from pg. 458 (in German).

Sarah Archer (June 2012). "Who was Eve Arnold? The woman behind some iconic photographs". The Washington Post.She was born in Philadelphia on April 21, 1912, the seventh of nine children. Her father, William Cohen, was a Rabbi. He and his wife, Bessie, had come to America to escape anti-semitic persecution in Russia. Though well-educated, he could only find work as a pedlar, and Eve grew up in poverty. As Eve left, she was approached by a gaggle of reporters, asking what it was like to photograph Marilyn. In one striking photograph, currently on show at the group exhibition Hollywood at Berlin’s Museum of Photography, Monroe stands pensively – her solitary frame surrounded by the vast desert as she anxiously rehearses lines before a scene with Clark Gable. In a rare moment – in which Monroe is unaware of the camera – we see the real Norma Jean; battling with her demons and struggling to live up to expectations. Arnold was born in Philadelphia, the middle of nine children of William Cohen (born Velvel Sklarski), a rabbi, and his wife, Bessie (Bosya Laschiner). Her mother had initial doubts about her daughter's choice of career. "I remember how she struggled all her life, raising all these children, and how her English always remained quirky. Eventually she accepted what I did, but grudgingly. When I did the Life magazine story on the first five minutes of a baby's life, she said: 'What's to be proud of?'"

By the time they reached Bement, Marilyn was exhausted. After a short rest, she was ready to face her public: she judged a group of bearded men in a Lincoln lookalike contest, admired the few pieces of art on display at Bryant Cottage, and finally, gave her speech. Whereas in her film roles, Marilyn was often typecast as a ‘dumb blonde’, as a model “she could call the shots, dictate the pace, be in control.” Even in her early ‘cheesecake’ poses, or with more experienced photographers like Eve’s old mentor, Richard Avedon, Monroe’s joyful, innocent persona transcended cliché. I’m thirty-four years old. I’ve been dancing for six months (on ‘Let’s Make Love’), I’ve had no rest, I’m exhausted. Where do I go from here?” Although Arnold’s career continually focused on women and overlapped with the Women’s Liberation Movement of the 1960s and 1970s, she resisted the ‘feminist’ label. “She was reluctant to even describe herself as a female photographer,” Michael says. “She found the need to distinguish male and female photographers quite artificial and frustrating, even though she certainly experienced some of the challenges of being one of the few women in her field.” Being a woman helped me to understand her moods and responses,’ Eve said. ‘Also, my being another woman avoided the male-female byplay that my male colleagues tell me is necessary in their sessions to produce intimate pictures.”She adored all of it. She loved the attention and she loved these very handsome men. What she didn’t like was the fact that they were all such polished actors. When they kept changing lines they would just reel them off and they would be word-perfect. And she would have difficulty because a) she didn’t have the training, and b) because she was troubled and it was difficult to remember the lines when she was going through a trying time. Arnold died in London on January 4, 2012, aged 99, three months shy of her centenary. [13] Selected works [ edit ] Photographs [ edit ] After a stopover in Chicago, they were driven to Champaign, and then taken by automobile cavalcade with the governor’s own motorcycle escort to Bement. The local media was alerted and chaos ensued. Eve’s earliest photos of Marilyn were taken at the premiere of ‘East of Eden’ at New York’s Astor Theatre in March 1955. One shows her being interviewed by a female reporter for NBC. Over the previous five months, Monroe had separated from her husband, Joe DiMaggio, abandoned her film contract and moved to New York, where she established a production company with photographer Milton Greene. At the height of the Cold War, Eve made two long trips to the USSR in 1965 and ’66, and her wealth of pictures spanned thirty features. Then in 1969-70, she made a documentary, ‘Behind the Veil’, exploring the daily lives of women in the Middle East.