Trotz dieser tragischen Geschichte ist das Buch unglaublich humorvoll, die Charaktere sind alle miteinander ein wenig skurril. Gerade für einen Debütroman ist auch die Sprache hervorragend. Ich wurde förmlich hineingesogen in das Buch. Sehr gut gefallen haben mir auch die etwas magischen Elemente. Sie geben dem Roman nochmal einen ganz eigenen Ton.

I tend to avoid some books when they're being hyped up in the media for fear they will not live up to that hype, this is one of those books I avoided at all costs for weeks. I then started to see comparisons being made to Sally Rooney's Normal People and decided hell no not for me. (Apologies Sally Rooney fans!) Fast forward to a Borrowbox update and this beauty popped up in the audiobook section, I thought what have I got to lose. This story can be enjoyed as a fun story about the little snowflake, as an explanation for where snow comes from, and/or as a larger education about the water cycle. I think this is the best book I have seen to teach the water cycle to young children so far! The happy little snowflake and friends bring these lessons in a very approachable way with so much fun.What I loved: This book is full of great things- beyond the lessons and educational elements, there are lovely illustrations with animals, diverse children, and plenty of the little snowflake. The text is also rhyming, making it fun to read aloud and listen to. There is also a nice addition of the full cycle at the end of the book that lays out all the text in even simpler terms. While toddlers may not fully understand the process, this makes it easier to grasp and is a great introduction! First, thank you GR friend Peter for reviewing “Snowflake” by Louise Nealon and gushing over her honest representation of the country/farm folk in Kildare County in Ireland. According to Peter, who hails from that area, there is little literature reflecting the lives of the people in that area. One main reason I read is to learn about something I did not previously been acquainted. I wanted to give this novel a shot because I was very curious.

Veľmi dobre je tu zvládnutá téma dospievania. Nie je to zabalené do cukrovej vaty, proste poukazuje na to, že ten prechod zo strednej na vysokú nie je taký plynulý ako sa zdá. A môže byť miestami dosť krutý. Plus hlavná postava pochádza z dedinky neďaleko veľkého mesta a neskutočne sa mi páčilo ako sa to prelínalo/kontrastovalo spolu. Snowflake is a note to self to cherish your family and friends - and the moments spend alone with ourselves. Lousie Nealon is an Irish author that you shouldn't miss out on. In an interview with the Irish Times, author Louise Nealon provided the roots of the novel as being personal. When she was 18, she awoke in the middle of the night convinced she was dreaming someone else’s dream. This was immediately dismissed as delusions. In Ireland, psychiatry is not thought of as being necessary, although it’s improving. Nealon wanted to write a story about the silence of mental illness in Ireland because for her, psychiatry didn’t help her, but reading literature did. As the author went through depression herself, we could feel Debbie's struggles bleeding through the book. The story balances the dark themes and humour well. The discussion of mental health isn't too bleak, yet holding its weight. Do take note there are a few detailed scenes on animal cruelty. Aside from the two main reasons I bought this book – supporting Irish authors and keeping up with the zeitgeist – I genuinely thought this might actually hit my buttons. I too was once a sheltered country girl going to the big city for college and feeling horribly lost from day one. However, right from the start I lost sympathy with Debbie.Stars | SNOWFLAKE BY LOUISE NEALON is the coming-of-age story you (probably) didn’t know you needed (or maybe you already knew). If you’ve been following my stories, you’d know how much i’d been taken by it - and it’s all for good reasons! The story revolves around Debbie, the narrator, who is embarking on her university years. She’s leaving the dairy farm for the sophisticated Trinity College in Dublin. This is a coming-of-age story in that Debbie has been protected at the farm, with little city involvement. She’s intimidated by not only moving to university, but also navigating the big city. This is the story of her finding her place in the world, learning what other lifestyles there are other than dairy farming.

This is a description of the local therapist in Debbie’s home town. There are so many problems in these two sentences alone. The ONE thing everyone loves? Everyone? And is that really Audrey’s problem? Or is it the problem of the people around her? In addition, this is presented as received wisdom from Debbie’s neighbours. Debbie does not question this in any way. Yet she’s apparently very smart? I guess in the ‘I am very intelligent’ meme sense only. Louise Harland narrated the book and there could not have been a better person. She epitomises Debbie and really brings her character and little quirks to life. This book is raw, dark and heartwarming all at the same time, and I absolutely loved it. I think Louise Nealon captured a girl on the cusp of the rest of her life so well, this absolute fine line between childhood and adulthood. A girl who absolutely does not know herself at all, does not know how to look after herself, and just needs to be kinder and more understanding to herself in all ways. This is very much a coming of age type novel, interspersed with some magical realism in a way thanks to Debbie and her mother's penchant for prophesising dreams, and Uncle Billy's reputation as a wise man. But is it really magical realism, or just a family with a bloodline that mean they are more sensitive to those around them, and the knowledge of the other plane of the world others have forgotten.Hoci to má dlhý rozbeh, tak za polkou to ide šialene dolu kopcom. A koniec! Vločkin koniec bol také pohladenie na duši, kde cítite dobrý pocit z toho ako sa to celé vyvinulo. Proste také ukončenie som potrebovala. Debbie is raised on her family's rural dairy farm. She lives with her mother, Maeve, a skittish woman who keeps her past and spends most of her days alone writing and dreaming. Maeve believes her dreams are prophecies. Rounding out their small house is Maeve's brother Billy, who lives in a caravan behind her house and fiercely love and protect Debbie. Everyone knows St Pats [sic: should be St Pat’s]. It’s the place where alcoholics and anorexics go to surrender.” If Audrey had kept quiet and continued to drink at home, people would still have sent their kids to piano lessons. Audrey’s problem was admitting that she had a problem, and the problem was with alcohol, the one thing everyone loved.”

Nealon consistently refuses to use contractions, for no reason. It can’t be in service of rendering accurate Hiberno-English, because that would require more contractions, not less. My bias against the first-person POV is mainly aesthetic. However, there are some practical reasons for my ire. The main one is that this choice of POV makes it even more difficult than it is already to keep from conflating ‘author’ and ‘protagonist’. Like, conceptually I know that MC Debbie and author Louise Nealon are two distinct entities and may indeed be radically different in every way. However, a bildungsroman-ish novel with clear autobiographical elements (Debbie’s arc is all about a country girl leaving home to study at Trinity; Nealon’s bio states that she’s from a farm in Kildare and studied English in Trinners) and a first-person POV? Let’s just say I’m not giving ‘Debbie’ much benefit of the doubt when she speaks like a tit in her early twenties.

Biscuit and the Little Pup

The rest of the book is just a series of events in the lives of Debbie’s bipolar mother and depressed uncle. Debbie herself may or may not have mental health issues, but the topic is treated with such disdain and scorn that it’s hard to say where either Nealon comes down on it. It's disturbingly possible that she's on the side of the people who coined the snowflake [derogatory] version of the title. But really, [Alice] shouldn’t belong to anyone, least of all Lewis Carroll. She exists independently of him.’ Snowflake hat mich in vielerlei Hinsicht positiv überrascht. Am Anfang dachte ich, es wäre die typische Geschichte einer jungen Frau vom Lande, die völlig naiv an die Uni kommt, sich dort zurechtfinden muss und dabei kaum Unterstützung von zu Hause erhält. Das ist es zum Teil auch. Allerdings ist dies nur der äußere Rahmen, denn die Geschichte geht viel tiefer. this is another contemporary, coming of age tale which follows debbie, an 18 year old who lives on a dairy farm as she navigates her 1st year at university, while also trying to handle her eccentric and troubled mother and uncle. if you know me you know i love a coming of age story, so this premise was right up my street. the writing was beautiful and lyrical but also raw, perfectly capturing the mindset of what it’s like to be a young woman figuring out life and trying to survive university (perfect for fans of sally rooney and naosie dolan in that regard). it also had a small magical realism element related to dreams which i definitely think added something unique to the story, even though i do wish it was developed a bit more. i also really enjoyed the irish slang in the dialogue and the exploration of some of the folklore, i found it all so interesting to read about! nealon also touches on several themes in this book too, like mental illness, family dynamics, friendship, identity, alcoholism, the pressure of university, and more. But Debbie’s life is changing. Earning a place at Trinity College Dublin, she commutes to her classes a few days a week. Outside the sheltered bubble of her childhood for the first time, Debbie finds herself both overwhelmed and disappointed by her fellow students and the pace and anonymity of city life. While the familiarity of the farm offers comfort, Debbie still finds herself pulling away from it. Yet just as she begins to ponder the possibilities the future holds, a resurgence of strange dreams raises her fears that she may share Maeve’s fate. Then a tragic accident upends the family’s equilibrium, and Debbie discovers her next steps may no longer be hers to choose.