Electra Heart (Platinum Blonde Edition)

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B2, C2: Warner Chappell Music Ltd (PRS) / Karaoglu Music (GEMA) / R-Rated Music administered by EMI April Music Inc. (ASCAP). https://web.archive.org/web/20120319012948/http://www.planetnotion.com/2012/03/16/marina-the-diamonds At some point Marina then intended to do a side project under the name "Electra Heart," [6] when she was told by her manager it wasn't possible, [7] she merged the projects. https://www.thenationalnews.com/arts-culture/music/marina-diamandis-releases-cathartic-concept-album-1.371124/#ixzz3069fhHxl A2: Warner Chappell Music Ltd. (PRS), EMI April Music Inc. obo itself and Totally Famous Music (ASCAP), Kasz Money Publishing (ASCAP), and Oneirology Publishing / Prescription Songs (ASCAP).

A3: Warner Chappell Music Ltd. (PRS), Kasz Money Publishing (ASCAP), I LIKE TURTLES MUSIC. Administered by Downtown Music and Oneirology Publishing / Prescription Songs (ASCAP) Administered by Songs Of Kobalt Music Publishing.Starring Role was the first song to be written specifically for Electra Heart, instead of die Life, and signalled the direction Marina was going for sonically, with its "cold and emotive" production. [26] Marina Diamandis' second studio album, Electra Heart, was a breakout moment for the Welsh singer-songwriter. Released ten years ago today, it was her first album to reach #1 in the U.K., Ireland, and Scotland. It was a hit in America, where the record was certified gold, thanks to hit singles "Primadonna," "Bubblegum Bitch," "How To Be A Heartbreaker" and "Teen Idle." Bump in the Night, whilst part of Stargate's Electra Heart sessions, the theme of ghosts and the line "calm down Marina" instead of "Electra" means the song wasn't intended for the album. Bubblegum Bitch and Electra Heart were written before Bump in the Night, and include the phrase Electra Heart.

https://www.reddit.com/r/MarinaAndTheDiamonds/comments/ubnggw/someone_from_a_facebook_group_passed_me_this_photo/ Jealousy was initially for The Family Jewels, and then for die Life, her initial second album, which caused confusion when she told fans it would be on her second album. [63] Non-Album [ ] It makes sense that critics didn’t like it. Diamandis mentioned that “the blueprint was a goth Britney Spears,” a star who was notoriously treated poorly by the media; Spears was dismissed, underestimated, and publicly trashed for her open sexuality. Electra Heart is aware of those consequences, so it is unsparing. The album is indulgently grotesque and desperate to provoke: “I want blood, guts, and angel cake/ I’m gonna puke it anyway,” she intones on “Teen Idle.” It’s also unapologetic: “I know I’ve got a big ego/ I really don’t know why it’s such a big deal, though,” she drawls on the buzzy “Primadonna.” It mixes artifice with earnestness; it gives in to female stereotypes while also breaking free of them. When telling NME about the concept of the album, she prefaced it by saying, “It’s a bit cringe.” But that’s the best part. A1, A4, C3: Warner Chappell Music Ltd. (PRS) / R-Rated Music administered by EMI April Music Inc. (ASCAP).In October 2011, Marina said: "I will have a lot of songs on this album that probably won't go on it, I have too many now, so I'll be giving stuff away [to other artists]." [23] Later telling Planet Notion in 2012, she "ended up with" "about 22" songs. [24] Eternity, never released, produced in Stargate's June 2011 sessions, it was possibly scrapped for Primadonna and Valley of the Dolls as they share similar lyrics and were produced in the latter part of 2011. In August 2011, Marina said each song would be granted a music video, set in 70s America, about a character called Electra Heart. An idea inspired by the parallels between Greek Mythology and Old Hollywood. [50] She had intended initially to have 15 parts, [51] with 5 of those in the same vein as The Archetypes and Su-Barbie-A, [52] with the missing three presumably being the other three Archetypes. Yes I think it [Radioactive] does [sound like a 2011-era hit single] and it's not something I've done before. If this was a year ago I don't mind saying now that I would have been, like, "no way am I doing this". I was not even up for working with anyone. This is why these two songs fit really well together actually, because 'Fear & Loathing' is about genuinely not feeling bitter or crazy or jealous any more (nervous laugh) and actually feeling a lot better off for it. And so I've been working with a lot of other people. ❞ Writing [ ]