When you hear something like this, when you understand what you are doing, then you do not want to place old, worn records on this turntable, but looking at how to get an even better release because you want to hear more. Variable pitch control, allowing the rotational speed to be adjusted from -8% to +8% (for the purpose of beatmatching). Option to select -16% to +16% added (M5G/MK5G/GLD, GAE/G/GR & MK7).

The updated platter comes with a two-layer construction that features deadening rubber on the rear surface which eliminates unwanted resonances in the aluminium die-cast platter. The exceptional vibration-damping characteristics prevent harmful vibrations from being transmitted to your records giving you a clear sound at all times. In 1970, Technics commercialised the world‘s first direct drive turntable, and the system took the world by storm. Unlike belt drive and other systems, direct drive systems rotate the motor at low speed and directly drive the platter, thus providing numerous advantages, such as the almost complete absence of degradation in S/N ratio due to motor vibration and deceleration mechanisms, as well as high reliability over a long period time because of not requiring parts replacement.Most users remove the rubber turntable mat and replace it with a slip-mat for mixing. However, without the rubber mat, the platter is prone to resonance at 250Hz when used near a large club sound system. On the other hand, there is also a big problem with almost all direct-drive motors, as well as the older SL series turntables. It is about ‘cogging’, a motor problem whose parts are permanent magnets that attract all magnetic materials, including the motor core. As the steel core occupies a fixed position, while the magnets rotate, due to interaction and unequal appealing forces, uneven rotations occur. Pictured out, try to show the drum rotation in the washing machine and you’ll be clear about what I’m writing about and what’s the biggest problem with the ‘direct drive’ motors. Technics SL-1210GR is the winner of IF Design Design Awards in 2018.

The SL-1210MK7 doesn't feel as solid as the more expensive SL-1200GR and SL-1200G models. The stop/start and speed buttons don't have the same reassuring response nor quite the bombproof feel, and the LED stylus illuminator, which you can pop up and down, felt a little flimsy on the sample we saw. There was no legacy SL-1200 model on hand for a direct comparison but we'll look to further clarify the build differences. Of the other components that make the turntable integration, I used the Clearaudio Nano turntable preamplifier and Marohei Cables CT Reference custom made phono cables. The drive system designed by Matsushita is direct-drive rather than the more commonly found belt-drive type, a less expensive design. The direct-drive design, which was developed to reduce wow and flutter, produces a very quiet turntable that, for a direct-drive turntable, has minimal motor and bearing noise, (although the bearing rumble does tend to become characteristic in well-used turntables). This was partially achieved through the fact that the SL1210/1200 made the platter a part of the motor mechanism. Available from September 2020 globally, the SL-1210MK7R is a limited edition version of the SL-1210MK7 produced in collaboration with the Red Bull BC One international breakdancing competition. The SL-1210MK7R comes in Red Bull livery with red headshell, gold-coloured tone arm and decals.Technics have also upgraded the pitch control – this digital unit uses a dedicated microprocessor to emulate the original analogue pitch from the MK2. The results of the emulation are staggering – with many claiming the MK7 is the tightest SL1210 they’ve ever mixed on! Technics have finally unveiled their brand new SL-1210 Mk7 direct drive turntable, a high torque turntable aimed primarily for DJ purposes. The new Mk7 model inherits the traditional design of previous SL-1210 turntables yet with enhanced reliability and durability and features a brand new coreless direct drive motor alongside a wealth of various sound-enhancing technologies. The SL-1210 Mk7 is Technics first new standard DJ turntable in nine years. To test Technics SL-1210GR I used mostly new records of different genres. I’m not going to write that it was an audiophile or in any way special edition because I did not buy records according to such criteria but by the type of music and the music content. It is a huge bonus for me if this album, which means something to me, I can buy in some superior edition. For example, I recently bought Ole, John Coltrane in the Rhino release although I know there is a much better and more expensive edition (ORG Records). But that album is missing in the record collection, I have not listened to it, and I do not see the reason why it should be delayed just because I do not have the money to buy a three times expensive edition.

In 1970, Technics commercialized the world‘s first direct-drive turntable, and the system took the world by storm. Unlike belt-drive and other systems, direct-drive systems rotate the motor at low speed and directly drive the platter, thus providing numerous advantages, such as the almost complete absence of degradation in S/N ratio due to motor vibration and deceleration mechanisms, as well as high reliability over a long period time because of not requiring parts replacement. The SL-1210 Mk2 has earned its place in the history books because, up until fairly recently, it was by far the best DJ turntable available. Its key features have always been the torqey direct-drive motor, smooth, accurate pitch control, solid build quality, well-damped feet to soak up the vibrations of a busy club and a touchability factor that makes it a pleasure to use.Three-layer turntable platter construction with deadening rubber to eliminate unnecessary resonance The turntable is made at an enviable level. I do not have any objections, rather, I would say that it is an exemplary specimen of how the turntable should look like in the price range. Okay, maybe I have one objection, which is the position of the power cable. It is located on the underside and is not at hand reach, just like a slightly unscathed attachment of the ground. Announced in January 2016 CES in Las Vegas, released in October 2016, SL-1200 Grand Class, an aluminum bound turntable with a high–damping matte magnesium tonearm, a four–layer turntable cabinet, three-layer platter, complete with a microprocessor and the use of a newly developed coreless twin-rotor direct-drive motor with no iron core with rotary positing sensors to eliminate cogging, as well as providing 78 rpm speed compatibility. From the disco era to today’s super-clubs, the Technics SL1200 (and similar SL1210) has been and still is the heart of most professional DJs’ gigs. World renowned for its robust build quality, reliability and precise and stable sound, the SL1200 is a living legend. Now in MK7 form, it’s as capable as ever and great value for the engineering involved. The anti-resonant feet of the turntable base are also tools for achieving a horizontal position. Technics SL-1210GR Hearing Test:

The SL-1210 Mk7 is equipped with a range of enhanced features that ensures ease of use at all times. A microcomputer works alongside advanced motor control technology to offer an accurate response when utilising a variety of DJ styles such as scratching and beatmatching. Adjustable controls now allow you to adjust the starting torque and brake speed to suit your exact preferences. Of course, the sound changed depending on the recording material itself, i.e. the record, but can generally describe it as calm and with no excess in the bandwidth. Technics SL-1210GR also showed as a turntable that achieves excellent timing and rhythm. Technics wastes no time in updating turntable, unveils Grand Class SL-1200GR at CES". Digital Trends. 8 January 2017. Generally, the turntables by type of the drive are divided into ‘belt drive’ and ‘direct drive’ turntable. Both drives have the same task, which is turning the platter. And while the ‘belt drive’ constructions are based on separate engines that rotate the plate, ‘direct drive’ is, as the name suggests, the motor directly connected to the platter. Both concepts have their advantages and disadvantages, and the fact is that most of the manufacturers have embraced the ‘belt drive’ concept because the other one is a concept with more negative than positive features. Pressing the button raises the lamp that illuminates the stylus. An extremely useful and practical solution, especially in dark conditions.The SL-1200 was introduced in 1972 as an evolution to the popular SL-1100. It was dubbed "The Middle Class Player System". It was delivered in two different versions: The SL-1200 came with a tonearm section. The SL-120 came without a tonearm section. An SME tonearm was the usual choice for the audiophile. Both the power and phono terminals let you detach the cables which prevent the cables from accidentally being disconnected while you perform. Thanks to the disconnecting cable terminals maintenance of the cables is easier and if you wish you can connect your preferred phono cable. The gold-plated phono terminals minimise degradation of sound quality. Using Technics’ famous and expensively engineered direct drive system, the SL1200 MK7 delivers class-leading torque for super-stable pitch and rapid start/stop action. When you need to precisely control your mixing, this is still the standard setter. Turning off the strobe light allows the listener to concentrate more effectively on the music, especially in dimmed environment. But this is a complaint of more practical rather than qualitative nature. It is also positive that the power cable can be disconnected so that the user can provide a better quality cable for further enhanced sound.