Translation into Русский available: every line you crossed (every place i could never return from) | те линии, что ты пересёк (те места, откуда я не смогу вернуться) by Abandoned_lizard

Izuku ignores those words, hand weakly falling from Tomura’s hair, slipping down his face. “Take your time before you come see me,” he says, even though he knows that those chances are slim. People like Tomura and Izuku are never meant to live long, they are supernovas at heart. Nuclear somethings, bright and fast and too much. Always too much, sometimes never enough. Structure a poem's message and thought patterns: For example, a simple couplet with a rhyme scheme of AABB lends itself to simpler direct ideas, because the resolution comes in the very next line. Essentially these couplets can be thought of as self-contained statements. This idea of rhyme schemes reflecting thought processes is often discussed particularly regarding sonnets. He goes home. His mom doesn’t even notice he arrives way, way after dinner. Way after he should be asleep.Help to reinforce the feeling being expressed: If the writer wants to express stubbornness, they may use tight structured rhyme schemes, whereas if one was writing about feeling lost, then perhaps the stanza would only have one rhyme (XXAXXXA).

All Might comes through the door, but before he can even move, another portal appears, dropping a child in a heap on the floor, and Toga lunges over, holding a knife to her throat. The girl looks to be around 10, and dirty, with matted hair and very skinny. She’s scared and whimpering, but Toga only looks at All Might, who’s frozen. He wonders if death can be that, can be a necessary tool to save whatever parts of him are left. Whatever hasn’t been eaten by the stars, by Kacchan, by heroes. It makes him ask if dying can be a matter of survival before an issue of inevitability before a debate of choice.The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Translation into Español available: Historia 4: Cada línea que cruzaste (cada sitio del que no puedo regresar) by Cam_Arg But no one came. No one, not until Tomura. Izuku had spent so long waiting to be saved that now, here he was, saved by the people who were supposed to be evil, he could not bring himself to be angry. Only quietly grateful that it was them.

Partially inspired by the interactions in (How To) Forgive and Forget by legal_kidnapping (https://archiveofourown.org/works/30363315/chapters/74852280)There’s a boy in a hoodie staring at him across the roof. Izuku does nothing, says nothing. Suspicion is beyond him these days, maybe because if he spent his time paranoid about who might hurt him he would go insane. It’s everyone. Everyone might hurt him, as soon as they hear he’s quirkless).