Old Wave (Rsd Black Friday 2022) [VINYL]

Product Information

Frontside; Ridin'; Time Bomb; Porno Star; Place in the Sun; (Segue) Helpless; Underneath; @*#! My Wrists; Whiskey in the Morning; You; Slamin'; Fall; Open My Eyes Regarded as one of several standouts from the band’s landmark fall ‘91 tour, this stop in Hampton is certainly worthy of its lore. In addition to having all the hallmarks of a quintessential latter era Jerry Garcia Band performance, this night featured a very special guest: Virginia’s own Bruce Hornsby, joining on electric piano for the first and only time. The setlist is typically well-balanced, mixing road-tested staples, like the show opening “How Sweet It Is (To Be Loved By You)” and “The Night They Drove Old Dixie Down,” along with more recent additions to Garcia’s songbook like Van Morrison’s “Bright Side of the Road” and the show-closing “What A Wonderful World.” Playing with Hornsby always seemed to ignite a spark within Garcia and this proved to be no exception with their potent chemistry fueling lively versions of “Ain’t No Bread in the Breadbox,” “You Never Can Tell (C’est La Vie)” and “Midnight Moonlight.” The Colour Field/2. Take/3. Thinking of You/4. Castles In The Air/5. Pushing Up The Daisies/6. Hammond Song/7. Things Could Be Beautiful/8. I Can't Get Enough Of You Baby/9. Windmills of Your Mind/10. Running Away/11. She/12. From Dawn To Distraction After the first set's Dark Star>St. Stephen>The Eleven>Lovelight, the second set puts so much icing on the cake that it almost becomes a cake made of nothing but frosting: That's It For The Other One, Morning Dew, Alligator>Caution, and so much more. Recorded during their creative peak in 1964 (five years into their collaboration), this previously unheard and unreleased live performance is destined to become a fan favorite from the Oscar Peterson vaults. In his memoir Peterson reflects on the dedication that Ray and Ed brought to the group: "In addition to our trio rehearsals, therefore, Ray would call his own rehearsals in his or Ed’s room and they would simply practice ‘time.’ They created a flexible and multi-faceted rhythmical language that they could apply to any musical statement I might make and enhance any direction I might choose. In short, they practiced ‘all the possibles.’”

Over a decade in the making, this new collection, Light in the Attic & Friends, features an incredible cast of legendary artists covering songs that the label Light in the Attic has re-released over the past 22 years, including Charles Bradley & The Menahan Street Band covering Sixto Rodriguez, Iggy Pop & Zig Zags covering funk queen Betty Davis, Ethan & Maya Hawke covering country great Willie Nelson, Angel Olsen covering folk singer Karen Dalton, 88-year old electronic pioneer Roedelius covering Mali guitar gods Tinariwen, and Mac DeMarco covering Japanese master Haruomi Hosono. Features Alice Cooper, Jayne County, Billy Idol, Lenny Kaye, Steve Stevens, Elliott Murphy, Sylvain Sylvain, Penny Arcade, Alan Vega, H.R, Dr. Know. A: By definition these stores are independent. This means they will choose whether they wish to participate. Generally speaking, a lot of them will. Double LP reissue of Marnie Stern's debut album "In Advance of The Broken Arm." One disc is the original album, remastered from the original mixes and the second is remastered demos for the original album.Where Did Our Love Go was the second studio album by The Supremes. Originally released in 1964, it introduced “The Motown Sound” to the masses and was, at the time, the highest-charting album by an all-female group. It reached #2 for four consecutive weeks and remained on the chart for an unprecedented 89 weeks. It includes their first #1 hits, “Where Did Our Love Go,” “Baby Love,” and “Come See About Me,” which also made them the first act in Billboard’s history to have three #1 hits from the same album. Written and produced by Motown’s main production team, Holland-Dozier-Holland, “Where Did Our Love Go” was listed by Rolling Stone as one of the 500 Greatest Songs of All Time and was selected for preservation in the National Recording Registry in 2016 due to its “cultural, historic, or artistic” significance. LIMITED RUN/REGIONAL FOCUS: These titles are either regionally based and sold at specific stores, or are press runs under 1000, which means they may be harder to find at record stores around the country. (If a title is regionally based and is not available throughout the country, it will say that in the description. The majority of titles on this section of the List are there because they have a limited run.) One dollar from the sale of each record is lovingly donated to Casting for Recovery, whose mission is to enhance the quality of life of women with breast cancer through a unique retreat program that combines breast cancer education and peer support with the therapeutic sport of fly fishing. An exclusive limited edition double cassette release of Keith Richards’ 2nd album, Main Offender, newly remastered under the supervision of original producer and X-Pensive Wino Steve Jordan. Also included is the Winos’ Live in London ’92 album that puts you in the front row with live versions of “Eileen,” “Hate It When you Leave,” “Happy,” and more. This live show was only previously available in the Main Offender Deluxe LP Box Set. Fools Blues | Big Town | Too Many Years | Home of the Blues | Nine Pound Hammer | Gypsy Fire | You Got to Move | Larue Larue | Man For All Seasons | Heaven on Earth | Say No To The Devil | Hypnotation Blues | Friend of the Devil

Jazz and blues pianist/vocalist/composer Mose Allison has been described as "one of the finest songwriters of 20th century blues." This 1978 live recording features Allison playing his usual repertoire, in a trio with bassist Tom Rutley (bass) and drummer Jerry Granelli (drums). Since Allison only recorded one album during the years 1973 to 1981, this well-recorded live set is quite valuable.

Log In

CD2: Reap The Wild Wind [Steven Wilson Instrumental Mix]/Serenade [Steven Wilson Instrumental Mix]/Mine For Life [Steven Wilson Instrumental Mix]/Hymn [Steven Wilson Instrumental Mix]/Visions In Blue [Steven Wilson Instrumental Mix]/When The Scream Subsides [Steven Wilson Instrumental Mix]/We Came To Dance [Steven Wilson Instrumental Mix]/Cut And Run [Steven Wilson Instrumental Mix]/The Song (We Go) [Steven Wilson Instrumental Mix] Crossover metal for fans of MOD, SOD, The Exploited, DRI, Suicidal Tendencies with a ‘90s twist and more! The music Charles Mingus and his group (including the legendary Eric Dolphy) recorded during his landmark 1960 sessions for Candid Records—the first in which he was given total creative freedom—produced three of the most revered jazz albums of the era. INCARNATIONS is the fourth great Mingus album to emerge from those historic sessions: a new masterpiece thoughtfully assembled from rare and unreleased material that stands proudly in the Mingus canon of masterworks. Presented in a heavyweight sleeve with period-perfect artwork, liner notes by Pitchfork and Rolling Stone contributor Hank Shteamer, audio restored and remastered by Bernie Grundman, and pressed on 180g vinyl, INCARNATIONS is the Mingus masterpiece nobody knew they were missing. The band’s debut album The Place I Love was produced by Harrison and features extensive guitar work by the legendary musician, as well as contributions from Billy Preston, Jim Keltner, and Alvin Lee (Ten Years After) and Gary Wright (Spooky Tooth and “Dream Weaver.”) Willie Nelson: lead vocal & lead acoustic guitar • Steve Burgh: acoustic guitar • James Clayton Day: pedal steel guitar • Bobbie Nelson: piano • Dan Spears: bass • Paul English: drums • Arif Mardin: string arrangement

Although many metalheads probably assume that Swedish guitar shredder Yngwie J. Malmsteen's first U.S.-based band was Alcatrazz, he was a brief member of another obscure Los Angeles-based metal band called Steeler. The group also featured future Keel frontman Ron Keel (bassist Rik Fox and drummer Mark Edwards also rounded out the band), and the quartet's music was similar to the pop/party metal that was ruling the Sunset Strip at the time. The band was one of the first to be signed to Mike Varney's Shrapnel label (one that has since become synonymous with highly technical guitar shredders), resulting in a lone self-titled release from 1983 before their breakup shortly thereafter. Although the album failed to make much noise upon release, it became a cult classic for fans after Malmsteen and Keel.

New user?

Keith’s guitar parts for “Heavy Voodoo” and its dubplate companion “Who Dares Dub” were recorded during New York City sessions for the 2008 Lee ‘Scratch’ Perry album, Scratch Came, Scratch Saw, Scratch Conquered. Shortly after Keith’s contributions were laid down, Scratch set to work at his home in Einsiedeln, Switzerland, jamming live on mic alongside Keith’s new guitar parts. Lee’s Swiss mountain lair was not strictly for recording, but the combination art studio, shrine and junk yard with its view of a valley and up into the snow-capped Alpine peaks, added its own influence to the recordings. Captured on portable recording gear with Lee using his special sacred jewel-encrusted Shure microphone, the Voodoo was indeed heavy that day. Willie Nelson: lead vocal & lead acoustic guitar • Steve Burgh: acoustic guitar • James Clayton Day: pedal steel guitar • Bobbie Nelson: piano • Dan Spears: bass • Paul English: drums • Donny Hathaway: string arrangement In early 1973 Gram Parsons embarked on a tour to promote his recently released first solo album, GP. Gram put together a pretty great band, including the then-unknown Emmylou Harris as his singing partner. The shows were somewhat uneven at first, but by midtour the band started to find its groove. Drowning In The Sea Of Love 2-Tango All Night 3-Wings 4-Gave It All Up 5-Out On The Streets 6-Can She Do It Like She Dances 7-Sneaking Sally Through The Alley 8-It's No Secret 9-Gypsies In Flight 10-Simple Love Song

SIDE 1 1. Overactive Imagination 2. In Human Form 3. Jealousy 4. Trapped In A Corner 5. Nothing Is Everything SIDE 2 1. Mentally Blind 2. Individual Thought Patterns 3. Destiny 4. Out Of Touch 5. The Philosopher I Can Learn; Horse Doctor Man; Eucalyptus; A Tale of Two Women; Cold Water; And Then the Rain; Postcoital Glow; Until It Stopped to Die; Soft Damage; Happy Snakes; Needles for Teeth (Version); Terremoto Willie Nelson: lead vocal & lead acoustic guitar • Steve Burgh: electric guitar • Larry Gatlin: acoustic guitar • James Clayton Day: pedal steel guitar • Bobbie Nelson: piano • Hugh McDonald: bass • Steve Mosley: drums

Got an account?

Since the '90s, this British label has done aficionados and novices alike an incalculable service, courtesy of their ongoing series featuring Studio One recordings." --POP MATTERS A new double LP Faces title featuring a previously-unreleased performance from John Peel’s Sunday Concert. The show, recorded on May 13, 1971 and broadcast May 23, featured the classic Faces lineup of Rod Stewart on vocals, Ron Wood on guitar/vocals, Ronnie Lane and bass/vocals, Ian McLagan on keyboards/ vocals and Kenney Jones on drums. Quartet was Ultravox’s third album with Midge Ure on vocals, which followed two hugely successful albums, Vienna and Rage In Eden. The previous albums were produced by German producer Conny Plank, for this release they looked to George Martin to take the helm. Willie’s groundbreaking 1973 album, with a second disc of outtakes and alternates from the album sessions, available for the first time on vinyl.