HEIL PR-40 DYN STUDIO MIC LGE.DIAM CHAMPAGNE

Product Information

The Podcaster features the same internal compoennts and frequency response as the Procaster with the simplicity of a USB connection. Shure MV7 It takes slightly more set-up and an XLR lead, however it is worth it when it comes to quality. Heil PR-40 Microphone Review Summary

In this case you get a good signal at about 70% gain which is fine. Still, if you would like to have more control over the amount of gain you drive to the mic, you could invest in the Cloudlifter CL-1. With its frequency response of 30Hz – 18kHz, the Heil PR40 is a very versatile microphone that can be used in all kinds of recording applications. It has been used to record a variety of sound sources, including vocals, drums, acoustic instruments and more.

FAQ

If you jumped to here, the microphone kit is the same as the solo section (with other top-notch options as well). The Universal Audio interfaces are fairly expensive, but you can safely use a less expensive model (like from the intermediate section right above here) with the other gear recommendations.

At the same time, it maintains the 25 year Heil Sound tradition of superbly natural voice articulation. Since 1982, Heil Sound has been the leading manufacturer of communications microphones and has a paramount understanding of phasing. When properly applied, this knowledge creates outstanding cardioid patterns with unbelievable rear rejection that removes unwanted sounds that try to enter from the off axis rear. If you are looking for a great mic that is perfect for podcasting, this is probably preferable over the Shure, but it is also good for music which should not be overlooked.Other than being an incredible microphone for vocals, the PR-40 can also be used effectively during music recording sessions.

Inside the box, you will receive a bag to keep the microphone safe inside when you aren’t using it, and the bag itself is a very nice quality made out of faux leather. With a 2 or more person podcast, you’ll each need an XLR microphone– and studio headphones are highly recommended. Because you can’t easily record more than 1 USB microphone into one computer, you’ll need a USB audio interface or mixer with at least as many XLR microphone inputs as you have hosts. But also consider having a spare input for a guest! It has an incredible understanding of phasing during plug placing, and along with its large low mass diaphragm, it is a real competitor for other microphone brands.Since it has a 50Hz – 20kHz flat frequency response, it not only excels at recording music and vocals but it has also got a huge variety of applications, such as voice-over and pod-casting. The PR40, which is assembled and tested at Heil Sound's facility in Illinois, USA, has a surprisingly wide frequency range for a dynamic microphone, covering 28Hz to 18kHz (‑3dB). It is designed to withstand very high SPLs, but at the same time it manages to sound more natural on voice and other instruments than most cardioid dynamic mics — many of which have a noticeably coloured sound, due to the complex porting needed to create the cardioid polar pattern. Although the frequency response is nominally flat between the upper and lower roll‑off points, there's the gentlest hint of a presence bump from 3‑5kHz. It only amounts to a couple of dB, but it gives a sense of air at the top end. This dynamic mic can produce a rich and clear output. It has been commended for its ability to transmit well-rounded and better sound quality. Mass Diaphragm Because of its solid bass response, this mic works really well on bass guitar cabinets, and I loved it on electric guitar too, where the results were rather less 'honky' than I'm used to from dynamic models. It has an almost ribbon‑like smoothness on highs, but without any loss of transient detail or any dullness to the sound. This dynamic microphone is particularly great for singers, as it has a pop shield to enhance sound quality and is incredibly sensitive to sound distance.