How I Came To Read This Book: I believe I first saw it in Entertainment Weekly and thought it'd be a good fit for my blog, so I requested a review copy. I often begrudge movies the fact that they are not like the book, but it's really like comparing apples and oranges-- though similar, they are inherently different. Emma Watson (Hermione) had a huge crush on Tom Felton (Draco) during the filming of the first several movies The Plot: This is basically an encyclopaedia to everything on the Harry Potter films. The first half of the book is the 'story' of the eight films (although Deathly Hallows is combined into one chapter), including getting them made in the first place, before the series was the phenomenon it became. Each film is discussed in terms of how the casting process worked, with commentary from the producers and the actors on what it was like to add each new cast member. The plot is also vaguely discussed in terms of what went into bringing certain scenes (or adding / reducing certain plot points) to life on the big screen - whether it's technical effects, locations, or fun behind-the-scenes anecdotes and photos. There's also a fair bit of discussion and commentary from the three lead actors on what it was like to work with each director / make each film. The second half of the book is more where the encyclopaedia designation comes in. Giant chunks of the book are dedicated to costumes (really, characters), sets, props, and creatures and what went into the design / how they came to life / concept art. It's very photo / caption heavy at this point, with little snippets of information on materials used or hours that went into something.

There are three parts to the book. The first is "The Making of Harry Potter" and covers the complete film making process of all the seven Harry Potter titles. The second is "The Art of Harry Potter" and that covers the characters, locations, creatures and artifacts. The third is the epilogue. It took me several days to finish reading. It's fun to see which anecdotes I remember from magazine articles over the years, and which details are entirely new... The stories on set designs are really interesting. You can find out how sets are constructed, like Hogswarts and all the different rooms and secret locations. I thought the underwater scene in Goblet of Fire was totally CGI but it turned out that Daniel Radcliffe actually had to swim, while holding his breath, and act in a water tank. And of course, there are details on how that water tank was built, with heaters, bacteria-killing UV lights, and the little things that don't cross our minds.

Customer reviews

In addition to stories on and off set, this large coffee table book pays tribute to the stunning physical, visual and technological genius that went into making an unbelievable story believable, showcasing more than a decade s worth of art and special effects, including never-before-seen photos of the costumes, sets, props, and creatures, as well as early concept art, drawings and designs. Really, really cool behind-the-scenes information about the production of the Harry Potter movies. I learned so much about the Harry Potter universe, the actors, and the way movies are made. Like the fact that Mafalda Hopkirk was played by Sophie Thompson, the younger sister of Emma Thompson, and Bill Weasley was played by Brendan Gleeson's son Domhnall. And that the prop crew bought sixteen Ford Anglias from around the country to use in filming. That most of the amazing props and sets were really physically made, with animatronics to make them move—like the Whomping Willow, the doors to the Chamber of Secrets, Aragog, the basilisk's head and 25 feet of its body, etc. The wizard's chess scene was done entirely in real life—the only effects they added digitally were some extra dust and debris for the explosions. They built those giant pieces and actually blew them up on-set.

Love the info about Robbie Coltrane and his Hagrid body double. And how his double started practicing his lines just for fun to the point where Coltrane felt "threatened" they'd just use the *real* big guy. Admittedly, it got a little rote. The first half of the book was definitely the most interesting to me, although even then it veered into really dry territory. The second half had much less substance and was almost distracting with all the photo / captions. I mean really, did you ever really care to know what thought went into Percy Weasley or Crabbe & Goyle's "Looks"? No. All too often, the book felt like it was written for the people on the film, as a way to sing the praises of the very talented designers behind-the-scenes that you probably don't give a second thought about, but would if they weren't doing their jobs as well as they were. Sort of a catch-22. Seven additional volumes detailing the Harry Potter creative team’s ten years of extensive efforts:

It's very well written, and the balance between photos and information is just right. The behind the scenes anecdotes and unknown tidbits, really make this an interesting and enjoyable read. All of the sections were informative, without tipping over into the over detailed, boring and sometimes irrelevant info, that film tie-ins can sometimes lean towards. At first, I was in love with this book. I am a big fan of the books and then the movies, and I always wondered how they adapted those wonderful books for the big screen. There is just so much information in this book, and it is presented artistically through pictures as well as words. When I finished it, I felt like I knew so much more than I could have ever asked for. However, after a while, I realized that something was missing. The book discussed the changing directors and how they brought their visions to films that became progressively more dark, but the changing composers that brought music to these films are never discussed. Being a musician, I was somewhat disappointed. I would have liked to read about how John Williams was chosen to start the series, why he left, and how he and the others created the music that brought so much feeling to these films.