Magic Whip

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Geslani, Michelle (18 April 2015). "Blur shares new song 'My Terracotta Heart' ". Consequence of Sound . Retrieved 15 May 2015. Petridis, Alexis (22 April 2015). "Blur: The Magic Whip – review". The Guardian. London . Retrieved 22 April 2015. Offiziellecharts.de – Blur – The Magic Whip" (in German). GfK Entertainment Charts. Retrieved 23 February 2021. I like to imagine everyone in Blur was sitting around a room, and after a long silence of watching everyone else coming out with albums, without saying anything, they all stood up, walked in unison to the recording studio in the next room and hit record. They had never turned off their creativity, just left it unplugged for 12 years. C2. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker@Miloco and Assault And Battery II

Monroe, Jazz. "Blur Collage Tons of Fan Movies for 'I Broadcast' Video". Pitchfork . Retrieved 10 October 2015. Sinclair, Mark (17 March 2015). "The Magic Whip – the making of Blur's new album cover". Creative Review. Archived from the original on 19 April 2015 . Retrieved 3 May 2015.

Oficjalna lista sprzedaży:: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved 6 May 2015. Goods that are faulty or sent in error must be returned to Crash Records Limited, 35 The Headrow, Leeds, LS1 6PU within 7 working days of the item being received by the customer. B2. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker Kreps, Daniel. "Watch Blur Go 8-Bit in Zany "Ong Ong" Video". Rolling Stone . Retrieved 10 October 2015. Blur from 1997 is a superb album along with MLIR, Parklife and TGE. 13 is a bit muddled as the songs get lost in William Orbits dense production.

Unterberger, Andrew (28 April 2015). "Blur, 'The Magic Whip' (Parlophone)". Spin . Retrieved 28 April 2015. B3. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker@Miloco and Assault And Battery II A2. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker@Miloco Cover art for Blur’s upcoming album The Ballad of Darren, with an image by Martin Parr. Photograph: -

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C1. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker Zaleski, Annie (28 April 2015). "With The Magic Whip, Blur remains stubbornly iconoclastic". The A.V. Club . Retrieved 28 April 2015. D1. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker

Payne, Chris (2 April 2015). "Join a Magic Line Dancing Crew For Blur's New 'Lonesome Street' Video". Billboard . Retrieved 15 May 2015. a b Thorpe, Vanessa (1 March 2015). "Graham Coxon on the Blur reunion: 'Pop doesn't have to be a fleeting thing' ". The Guardian . Retrieved 11 May 2015. Beaumont, Mark (13 April 2015). "Blur – 'The Magic Whip' ". NME. Archived from the original on 5 March 2016 . Retrieved 13 April 2015.Prevost, Dinorah (13 May 2015). "Review: With 'The Magic Whip' Blur doesn't miss a beat". Tampa Bay Times . Retrieved 16 May 2015. Sensibilities from Albarn’s extracurricular projects frequently bleed into the frame, especially the Gorillaz, which shows both in dubby, beat-oriented cuts like "New World Towers" and in the lyrics’ pervasive sense of Englishness-in-exile. "Thought I Was a Spaceman" could easily serve as a prequel to Demon Days’ post-apocalyptic opener "Last Living Souls" in sound and story, and "Ghost Ship" wouldn’t look out of place anchored off the shores of Plastic Beach. At times the sonic tug-of-war feels like Albarn clawing at the restrictions of a framework his ideas have outgrown. B1. Recorded by [...] at Studio 13 London + Avon Studios Hong Kong, additional recording [...] at the Bunker Unterberger, Andrew (28 April 2015). "Review: Blur Cruise Comfortably Into Their Second Act with 'The Magic Whip' ". Spin . Retrieved 15 December 2015.

Singer-songwriter Damon Albarn invokes Bradbury’s sentiment on "There Are Too Many of Us", the emotional centerpiece of The Magic Whip, the reunion album from his reconstituted flagship Blur, as he muses about an Australian hostage crisis he once spectated on television from a hotel room above it. "For a moment I was dislocated by terror on the loop elsewhere," he admits in verse two—not horrified, just momentarily "dislocated"—as if to call into question our dwindling concern for people in places outside our cubicles of convenience. Technology has made our world smaller, but it hasn’t made us less isolated. Ease of access doesn’t equal closeness.

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Krep, Daniel (20 March 2015). "Hear Blur's Majestic New Doom-and-Gloom Song "There Are Too Many of Us" ". Rolling Stone . Retrieved 15 May 2015.