In Perfect Harmony: Singalong Pop in ’70s Britain

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In Perfect Harmony: Singalong Pop in ’70s Britain

In Perfect Harmony: Singalong Pop in ’70s Britain

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Stereo Review magazine opined that “The emotional connection between the Carpenters and their songs is about as strong as my last resolution to stop smoking. I, and many, others would contend that the 1970s is the greatest era of recorded popular music, where everything from reggae to rock reached its apogee - and the records just sound better - but here giants like Bowie and Roxy Music are mere background figures, over shadowed by the hit machines of Slade and Sweet. The story of how Kenny Everett’s constant lampooning of the Bee Gees proved to be “…the death knell for the band who took disco to the masses as a serious proposition for years to come.

Against a rainy, smog-filled backdrop of three-day weeks, national strikes, IRA bombings and the Winter of Discontent, this unrelenting stream of novelty songs, sentimental ballads, glam-rock stomps and blatant rip-offs offered escape, uplift, romance and the promise of eternal childhood - all released with one goal in mind: a smash hit.There's a fair and decent case to be made for Slade's strikingly coiffured and perma-grinning guitarist Dave Hill as the greatest rock star ever. However, this is also a decade which is remembered with nostalgia and fondness (even if it may be a little rose-tinted) by those who were there, and this is, to a large degree, down to the music.

During the era of the three-day week, strikes, and - Oi, Oi - energy shortages, British ears turned en masse to cheery and optimistic fare, and who could blame them? For those too young (or old) at the time to have clear recollections of the ’70s, In Perfect Harmony is a fantastic aid memoir, helping to re-ignite half-forgotten emotions as well as filling in the gaps with a plethora of enlightening details and reminiscences. Punk does happen but, much like the swinging sixties, it doesn't happen for the majority so it doesn’t warrant the same space as The New Seekers, Tony Orlando or the "lingering ennui" of The Carpenters. We are also treated to a rollercoaster revisitation of the wider popular culture of the time with references to the comforting presence of Morecambe and Wise, Delia Smith, Tommy Cooper, The Good Old Days and Tiswas as well as the more sinister presence of Jimmy Saville, Gary Glitter, The Black And White Minstrels and Love Thy Neighbour; a reflection of a rich melting pot beset by the thinly veiled tensions which epitomised the times.

In Perfect Harmony is a loving paean to the artists of the time set against the volatile historical backdrop; an evocative and insightful book in which author Will Hodgkinson brings to life the hardships but also the fun and frivolity of the time.

While bands such as Pink Floyd, Queen and Fleetwood Mac were ruling the albums chart; the singles chart was swinging to the tune of million-selling blockbusters by the likes of Brotherhood of Man, the Sweet and the Wombles. These were the songs you heard on Radio 1, during Saturday-night TV, at youth clubs, down the pub and even emanating from your parents' record player. He is a regular contributor to The Guardian, Mojo and Vogue and presented the Sky Arts television series Songbook. The decade of polyester and cheese is bookended by the huge hit singles ‘Grandad’ and ‘There's No One Quite Like Grandma’ and while it's hard to find much or anything to appreciate in either of those records, Hodgkinson has, on the whole, made a decent case for "bubblegum as high art. In Perfect Harmony takes the reader on a journey through the most colour-saturated decade in music, examining the core themes and camp spectacle of '70s singalong pop, as well as its reverberations through British culture.If you are fortunate enough to be too youthful to have experienced all this first hand, the book provides an atmospheric and faithful insight into our relatively recent past with all the lessons, learnt or not, held therein. Biography: Will Hodgkinson is author of the music books Guitar Man, Song Man and The Ballad of Britain. Online since 2010 it is one of the fastest-growing and most respected music-related publications on the net.



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