Jewellery Illustration and Design: Techniques for Achieving Professional Results

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Manuela Brambatti began her career in the fashion world in the late seventies working for Style and other fashion magazines.

Employee, and later exclusive partner of the Versace fashion house from 1981 to 2009, Manuela, was crucial in setting standards in the Style magazine for the presentation of all fashion collections and their illustrations and, in recent years, the Home Collection. This book analyses the fundamental aspects of designing jewellery and collection ideas based on natural or geometrical forms .

The present volume tackles the process from the initial idea, based in natural or geometrical forms, to the fi nal drawing of the completed piece, including illustration techniques and sources of inspiration, all aspects that will stir up the reader’s creativity. Having learned about geometry, perspective and representation of materials in the first volume, this second book in this two-part series - Jewellery Illustration and Design - delves deeper into the process of designing jewelry, from the first sketch to the final representation, with special emphasis on how to work on ideas, plan a collection, and design and depict a wide variety of pieces. Having learned about geometry, perspective and representation of materials in the first volume, this second book in this two-part series delves deeper into the process of designing jewelry, from the first sketch to the final representation, with special emphasis on how to work on ideas, plan a collection, and design and depict a wide variety of pieces, taking the inspiration from natural forms or art history. She has collaborated with Giorgio Correggiari, Krizia and Gian Marco Venturi, but her most important and far-reaching experience is her work with Gianni Versace, where she played a crucial role in setting standards with regard to the presentation and illustration of the house s fashion and home collections. I am so impressed by, not only the exceptional quality of Inesa's teaching - and her patient and beautifully clear explanations - but also the very well thought-through progression of the course and the way it developed/unfolded.

With a focus on artistic consulting, branding and project design for jewellery, watches, sunglasses and fashion accessories, his clients are international companies both small and large, from high-end to fashion jewellery. Clear step-by-step instructions make the technique accessible for the beginners, but there are enough details to master (and not to get bored) for the professionals. Having learned about geometry, perspective and representation of materials in the first volume, this second book in this two-part series delves deeper into the process of designing jewellery, from the first sketch to the final representation, with special emphasis on how to work on ideas, plan a collection, and design and depict a wide variety of pieces. The school was founded by a jewellery designer Inesa Kovalova from a desire to share her passion for jewellery hand painting craft.

Since 1998, he has taught at the Arts and Crafts School in Vicenza and has conducted seminars in many parts of the world on the subject. While the first volume focused on the tools needed to be able to accurately convey ideas, draw different materials, facets and effects, and master the use of color, this publication tackles the process from the initial idea, based in natural or geometrical forms, to the final drawing of the completed piece, including illustration techniques and sources of inspiration, all aspects that will stir up the reader's creativity. It includes all the technical details to be considered when planning a piece of jewellery, from an executive point of view . This amount includes seller specified domestic postage charges as well as applicable international postage, dispatch, and other fees. He has designed pieces for famous fashion brands such as Versace, Versus, Balmain, Montana, Laura Biagiotti, Valentino and Etro.

To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average.Instead, it aims to provide readers with the tools needed to be able to accurately convey their ideas and master use of colour, as well as to draw different facets and effects such as brilliance, transparency and opacity. I just wish I had been taught how to use all the equipment recomended, such as the set squares, french curves, T-squares, 45' and 30/60' triangles as it doesn't show you how to use them. Different volumes, spaces, surfaces and finishes are explained in detail, as are methods for depicting different materials, from timeless metals and precious stones to substances such as celluloid and bakelite. In 2020 we not only celebrated our 20th birthday but our 1st birthday as being completely employee owned after becoming an E. In 2011, Vinci won the Bijoux d'Autore design competition awarded by the Associazione Gioiello Contemporaneo (Contemporary Jewelry Association, Italy).