We also do not accept products that are intimate or sanitary goods, hazardous materials, or flammable liquids or gases. By this time Stevie Nicks, Mick Fleetwood, and Lindsey Buckingham had each started solo careers, Nicks to multi-platinum, number-one success with 1981's Bella Donna. Very subtle and tasteful production by LB, but with enough new tricks (for the 80s) to keep you interested.

She pulls out her well-worn tarot deck—wolf, dream, wind, sun—and whips up an unconvincing sandstorm about how “the dream was never over, the dream has just begun,” while Fleetwood Mac increasingly resembled an inescapable nightmare. Fleetwood Mac’s internecine relationships and betrayals outdid any soap opera, though by 1982, they had plotted almost every conceivable love triangle and finally found partners outside the group. As per the media, British 1982 version is not thick vinyl, but perfect mastering, near 0 surface noise, no skipping.com and send your item to: Last Night From Glasgow Limited , Glasgow Street, 23, Glasgow, G128JW, United Kingdom. Bel vinile di un gruppo molto famoso negli anni 70'/80' ,buona musica per chi piace il genere pop-rock . Nicks agreed with Buckingham, stating that "It's kind of a bitter song and that's really not where any of us are at right now, even thought it's a wonderful song. Buckingham praises the Big Apple and denigrates his native LA with a wild, removed lust that looks right through the object of his affection; when he sings about “flying high on the Empire State,” the lurching keys and harmonies make him sound like he’s being spun on his axis. McVie had recently ended her relationship with Wilson, a member of the Beach Boys, who would die by drowning the following year.

It’s hard to find any comment about why they chose to name their thirteenth record (and fifth under this lineup) Mirage, though the resonance is obvious in hindsight: It’s the illusion of the band, rather than the full-blooded beast. Regarding the album itself in my opinion "Mirage" is fairly underrated and "Tango in the night" way overrated. The concert was not released on DVD until 2003, but this was limited to Brazil on the Studio Gaba label and featured an unmastered soundtrack. Unsurprisingly, given the perfunctory nature of the sessions, there are few whole songs from the cutting room floor on this reissue: Nicks’ “If You Were My Love” is solid, and a more aggressive version of “Empire State” shows what might have transpired had Buckingham been allowed to make Tusk II. There’s a similarly nostalgic optimism to Donald Fagen’s The Nightfly, also released in ’82: Where Vietnam and Korea cast an ominous pall over Fagen’s paradise, Fleetwood Mac’s collective mania makes Mirage feel like fiddling while Rome burns.

This expanded reissue features a remaster of the original album, 13 live tracks, B-sides, outtakes, plus other songs that did not make the final cut. It has indeed a couple of bad to mediocre songs, but the majority of the album range from known classics to good songs on their own. Having accepted that the band weren’t interested in “shaking people’s preconceptions of pop,” as he sniffed to any reporter who would listen, Buckingham resolved that Fleetwood Mac’s next album should be a proper group effort.