Cuter Book, The

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Offit’s analysis is forensic. He determines that the key manufacturing flaw had to do with a change in the method of filtration, which he finds at more than one company. Auxiliary design and circumstantial factors made Cutter’s vaccine by far the most dangerous. But even if Cutter did no more than strictly required to ensure their vaccine was safe, Offit points out that there was no callous negligence: Cutter’s safety testers trusted their product enough to inject it into their own children. If the amount of live poliovirus remaining in a batch didn’t decrease as predicted when subjected to formaldehyde, then the batch risked being unsafe at the end of the period of formaldehyde exposure. And yet, if the safety tests the companies used had been sufficiently sensitive, no unsafe vaccine would ever have made it from the plant to the market; no-one would ever have come to any harm. This was a compound, complex, tragic failure. There were fatal inadequacies at multiple levels.

Offit’s sobering inquiry into “one of the worst biological disasters in American history” is a work of unflinching investigative journalism which lands, finally, not as a whodunit, but as a tribute to modern systems of meticulous vaccine regulation. Also, along those lines, "will I still be soiled" means that if he is accepted as an artist in the industry, he will have some means, so he won't be as much of a "soiled," starving artist, but will that mean that he will be worthy still of making great art? Will his art be viable if he's not struggling, since that what spawned his desire to become an artist in the first place (by spawned I don't necessarily mean he was driven by money, but rather that he really developed his artistic eye as a struggling outsider)? Additionally, this could also have to do with his worries about failure. When the blinders are off, when everything is tripped away and he is exposed, will he still be shite?

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Johnson, David (2006-03-31). "The Cutter". DVD Verdict. Archived from the original on 2015-06-15 . Retrieved 2015-04-26. Paul Offit – physcian, scientist, professor of vaccinology at UPenn, professor of paediatric infectious diseases, director of the Vaccine Education Center, and author of a ridiculous number of popular non-fiction books besides – set out to sort out that foggy “somehow.” What, exactly, had gone wrong? Offit has said he was unsatisfied with suspiciously simplistic and vague suggestions that culpability rested on the shoulders of a lone, unscrupulous bad actor – Walter Ward, who oversaw production at Cutter Laboratories. Curious, Offit burrowed into the archives and emerged, some eight years later, with The Cutter Incident, a narrative far more complicated than a whodunit, but no less compelling.Roberts, David, ed. (2006). British Hit Singles & Albums (19thed.). HIT Entertainment. ISBN 1-904994-10-5. davesellwood Well, not really. The line from the film is "can you spare some cutter, me brothers". So no, it's not "directly" taken from the film. Similar, yes. parenting Why Are We Always on Call for Our Kids? My children very rarely have to wait for anyone for very long — is it time to establish stronger boundaries around my alone time? By Kathryn Jezer-Morton Dogs - We are a dog friendly pub, but do not allow dogs in the restaurant area- Dogs are welcome in the pub & Sid Merry lounge

I also really love the line about "happy loss" this really meant to me the true nature of being an artist. There is some bit of a masochistic tendency I think in really good artists. They sort of enjoy suffering for their art (or cutting for that matter), as it can be a wealthy source for creative ideas. It's a necessary evil, so to speak. The pain (the cutting) creates the art (the release, or rush...but also the loss of blood...hence, the "happy loss".... sorry, I just love the metaphor) Lots of great artists have always been somewhat self-destructive, so I think there's something to that in here as well. The rest of the lyrics to this song do not allude to that film or its themes in any way at all. So most likely it is just a coincidence. We've been asked whether "Somewhere Only We Know" is about a specific place, and Tim has been saying that, for him, or us as individuals, it might be about a geographical space, or a feeling; it can mean something individual to each person, and they can interpret it to a memory of theirs... It's perhaps more of a theme rather than a specific message... Feelings that may be universal, without necessarily being totally specific to us, or a place, or a time..." The Cutter" is a single released by the band Echo & the Bunnymen in 1983. It is the second single released from their 1983 album, Porcupine. davesellwood Does that have anything to do with circumcision ? Just thinking - with these lyrics :- "Spare us the cutter, Will I still recoil, When the skin is lost"And when he says "watch the fingers close, when the hands are cold," I see this as meaning that he needs to remind himself to keep it together. He needs to stay away from getting caught up in the release, and focus on the art. The release that the actual cutter receives can be too much of a good thing if too much blood leaves the body. Just as the release of emotion in art must be tamed as well, because ultimately an artist wants to harness the emotion and articulate the experience with an objective, critical eye. The risk is dropping into a self-destructive vortex. But here again, as so often is the case, is a person presenting wishful thinking and/or coincidence as if it were solid facts. Pub & Outside - Table's in the pub area & outside are on a first come first serve basis, we don not take reservations for these areas.