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This year's festival is for everyone and we want to make it possible for more people than ever before to be able to come together and enjoy a packed festival. I make work around and about politics,” he elaborates, “so politics is definitely embedded in the art as either a piece of political theatre or political memorial. It reflects his belief in the alchemical power of art to transform the everyday – “if only for a moment, making the mundane profound”. Much has been written about Deller over the decades but this is the first time he has pulled together all of his cultural touchstones. Curating the festival for the first time, Jen and James have been inspired by Folkestone and how we can all come together through inspired discussion about global ideas, global thinking and possible futures.But if you can let go early in the process, have an intelligent conversation with the public and be open to surprises, then the outcomes can be unexpected and better. Like most of us, Deller experienced the actual event through the often chaotic news footage broadcast on television.

That can and should be true of architecture too; when we set up Agents of Change (AOC), we deliberatively established a practice free of individual’s names. That letting go – surfing the waves rather than being King Canute telling the waves what to do – feels a more generous form of practice. Facebook sets this cookie to show relevant advertisements to users by tracking user behaviour across the web, on sites that have Facebook pixel or Facebook social plugin. All artworks are sent using a reputable courier service selected by The Modern Institute/Toby Webster Ltd. Growing up I played in brass bands and so feel a strong affinity with Deller describing the happiness he feels hanging around steel bands – a collaborative endeavour where everyone’s contributing by playing their part.As with his famous drawing The History of the World, a flow diagram of how popular culture can sometimes shape the course of history, even predict it, his entire practice sometimes feels like an epic attempt to prove that everything is connected. Only 316 copies have been printed and each comes shrink-wrapped with a silk screen print by Jeremy, numbered and signed. There was a folk element, too, insofar as raves were communal, grassroots events that involved rituals and strange modes of dress.