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The Anglo-Irish community had their homes burned from under them by the IRA in a bid to remove ‘the foreigners’ and return the land to the Irish who were tenants on their own soil. Poverty was rife within the cities but was very much more evident in the rural communities. Un romanzo che lascia nel lettore l’amarezza delle giovani vite andate incontro a un destino spietato e la gratitudine per quegli eroi che si immolarono per la salvezza di tanti. I can't help wondering why Jenoff didn't make him an RAF airman and British, because they were involved in the war in 1940, instead. That would have gone a long way to getting the story off on the right foot for me.
Ms. Jenoff excels in her vivid portrayal of the deprivation and corrosive fear that afflicted those dwelling under Nazi aggression. The sisters are inherently different, convincingly drawn within the paranoia and seething anti-Semitism coursing under their village’s façade. Their claustrophobic insularity, however, can dampen the narrative at moments - until Helena awakens to possibilities beyond those she has known during her increasingly disquieting trips to Krakow. Her discovery of a secret and the tragic events that ensue shatter her confidence; as she fights to find meaning in a world descending into darkness, The Winter Guest proves compulsive in its race to a desperate denouement. The finale offers a moving testament to the suffering that so many endured during the war. Following her work at the Pentagon, Jenoff moved to the State Department. In 1996 she was assigned to the U.S. Consulate in Krakow, Poland. It was during this period that Pam developed her expertise in Polish-Jewish relations and the Holocaust. Working on matters such as preservation of Auschwitz and the restitution of Jewish property in Poland, Jenoff developed close relations with the surviving Jewish community. The Winter Guest by W.C. Ryan was published January 6th with Zaffre Books and is described as ‘a gripping and atmospheric murder mystery with a classic feel’. I thoroughly enjoyed A House of Ghosts by W.C. Ryan so I was thrilled when the opportunity came my way to read a copy of The Winter Guest, courtesy of Gill Hess.The film is based on Sharman MacDonald's play, [2] premiered at the West Yorkshire Playhouse (in the Quarry studio theatre, 23 January to 18 February 1995) before transferring to the Almeida Theatre in London (14 March to 15 April 1995). Il dubbio la combatte nel cuore, ma gli eventi della guerra travolgeranno comunque le loro giovani vite ponendoli di fronte alla scelta di agire o sottrarsi all’occhio del nemico aspettando l’inevitabile fine del loro fragile equilibrio. I just can't with this book. I wanted to love it, I really did. Historical fiction is my thing and I'll try anything centered around World War II. I also received a copy of this through the Goodreads FirstReads program so I really wanted to be able to like it and leave a review saying so. La mamma è molto malata e ricoverata a Cracovia, mentre il padre è morto travolto da un carro; ora sono le ragazze a dover portare avanti la famiglia e a fare da padre e da madre ai piccoli.
To begin with, the first chapter (after the introduction) sets the story in 1940. And then Sam Rosen shows up. Sam is a downed American airman in the Polish countryside. Jenoff ( The Ambassador’s Daughter, 2013, etc.) weaves a tale of fevered teenage love in a time of horrors in the early 1940s, as the Nazis invade Poland and herd Jews into ghettos and concentration camps. A prologue set in 2013, narrated by a resident of the Westchester Senior Center, provides an intriguing setup. A woman and a policeman visit the resident and ask if she came from a small Polish village. Their purpose is unclear until they mention bones recently found there: “And we think you might know something about them.” The book proceeds in the third person, told from the points of view mostly of teenage Helena, who comes upon an injured young Jewish-American soldier, and sometimes of her twin, Ruth, who is not as adventurous as Helena but is very competitive with her. Their father is dead, their mother is dying in a hospital, and they are raising their three younger siblings amid danger and hardship. The romance between Helena and Sam, the soldier, is often conveyed in overheated language that doesn’t sit well with the era’s tragic events: “There had been an intensity to his embrace that said he was barely able to contain himself, that he also wanted more.” Jenoff, clearly on the side of tolerance, slips in a simplified historical framework for the uninformed. But she also feeds stereotypes, having Helena note that Sam has “a slight arch to his nose” and a dark complexion that “would make him suspect as a Jew immediately.” Clichés also pop up during the increasingly complex plot: “But even if they stood in place, the world around them would not.”
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January 1921. Though the Great War is over, in Ireland a new, civil war is raging. The once-grand Kilcolgan House, a crumbling bastion shrouded in sea-mist, lies half empty and filled with ghosts – both real and imagined – the Prendevilles, the noble family within, co-existing only as the balance of their secrets is kept. The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year. Then Helena discovers an American paratrooper stranded outside their small mountain village, wounded, but alive. Risking the safety of herself and her family, she hides Sam—a Jew—but Helena’s concern for the American grows into something much deeper. Defying the perils that render a future together all but impossible, Sam and Helena make plans for the family to flee. But Helena is forced to contend with the jealousy her choices have sparked in Ruth, culminating in a singular act of betrayal that endangers them all—and setting in motion a chain of events that will reverberate across continents and decades. An investigation in 2013 starts the book and then the story unfolds as one of the characters remembers the events, but at the end I didn't really see the significance of this investigation and why it was a big deal. There were other things that could have been investigated that might have had a more emotional response from the readers. The book is written in a way that doesn't make it exciting or interesting, thing are just happening, slowly.
Perhaps a lukewarm or even an aimless plot can be excused if were to be redeemed by another facet of the novel. This, however, was not the case. The writing is hardly refined artistry; in fact, it’s amateur. The accurate history and the events that unfolds makes this book gloomy and the writing makes it somber. The setting is key. Isolated from the rest of the country, like many rural Poles, Helena and Ruth struggle for daily survival among food rationing, suspicious neighbors, and the looming threat of winter. Their mother lies dying in a Jewish hospital in Krakow — the only place that can care for her — and stalwart Helena makes the long trek to the city every week to visit her, while introspective Ruth stays behind to tend the children, nursing a recent heartbreak. Then Helena stumbles upon an injured American paratrooper in the woods and decides to hide him; this act of mercy sets the stage for a passionate affair and betrayal that changes the sisters’ lives forever.Much of the film was shot in around Pittenweem, Elie and Earlsferry and Crail in Fife. [4] Reception [ edit ] Everything is different in winter. The people disappear insideand count on one another. The film opens with a well-coifed woman in her 60s,in a fur coat, making her way across a field in bitter cold. This is Elspeth( Phyllida Law), and she is on her way to the house of her daughter Frances( Emma Thompson). She fears losing her. Frances' husband has died, and she hasretreated into an angry silence beyond mourning. Perhaps she will leaveScotland and move away with her teenage son Alex ( Gary Hollywood). I rarely waste too much time on books I don't like, but I was curious enough about what was going to happen to Sam and Helena in this book, that even though I disliked it already at 17%, I kept chugging along, only to come to regret that decision. Their lives are harsh. Due to the shortages of food they are constantly starving, they struggle to clothe themselves and their growing siblings. Ruth is the homemaker, caring for everyone whilst Helena has taken on a more “hunter gatherer” role, providing for everyone. The sisters have quite a complex relationship. They love each other, yes, but they are not quite friends, and there is an undercurrent of resentment throughout the book from Ruth. There was something dangerous about him. There was something enigmatic about him that made her want to follow him into his strange unknown world.’
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