In the edit page, go to the 'Metadata' tab and add your Juno artist, label or release page for listeners to purchase your release / releases. But sometimes, for Muna, after nearly a decade of friendship and a long stretch of pandemic-induced self-reckoning, the most radical note possible is that of bliss. McPherson added, "I hope this album helps people connect to each other the way that we, in Muna, have learned to connect to each other.

That people are going to feel a kind of catharsis, even if it's a catharsis that I might never have known myself, because I'm f***ed up. Saves The World’ carries the same weight as its predecessor, but breaks the dark-pop boundaries the band themselves created with their debut. Where debut ‘About U’ fostered their dark-pop label, MUNA have expanded their horizons on follow-up ‘Saves The World’. They'd made their first album themselves, with free plugins, in a home studio; they'd made the second one in proper sessions with co-producers, thinking they ought to professionalize. Lead single and unabashed dancefloor banger ‘Number One Fan’ itself is a reaction to their post-tour comedown, stepping from universal adoration to isolation and finding a way to celebrate the self.Finance is provided by PayPal Credit (a trading name of PayPal UK Ltd, Whittaker House, Whittaker Avenue, Richmond-Upon-Thames, Surrey, United Kingdom, TW9 1EH). For Naomi McPherson, Muna's guitarist and producer, it was a "song for kids to have their first gay kiss to. It’s here that Katie Gavin, Naomi McPherson and Josette Maskin have enabled themselves to soar, breaking free from the shackles of failed relationships. All image and audio content is used by permission of the copyright holders or their agents, and/or according to fair dealing as per the UK Copyright, Designs and Patents Act 1988. So, unless you’re smart enough to get the release at the start, directly from the artist, you’re pretty much screwed when you don’t follow the artist and purchase directly from them for special product like these amazing vinyl releases.

Silk Chiffon,” Muna’s instant-classic cult smash, featuring the band’s new label head Phoebe Bridgers, hit the gray skies of the pandemic’s year-and-a-half mark like a double rainbow.Instead ‘Saves The World’ sees them look inwards, gliding from the melancholy of ‘Navy Blue’ to the hope of the climatic ‘It’s Gonna Be OK, Baby’ - a track which depicts emotional healing with powerful accuracy. Having switched camps from a major label to Phoebe Bridgers' Saddest Factory and with a new self-titled LP in tow, MUNA are releasing their most confident outpouring to date.

Every record is shipped in original factory-applied shrink wrap and has never been touched by human hands. For Naomi McPherson, MUNA's guitarist and producer, it was a "song for kids to have their first gay kiss to. The band's period of uncertainty and open questioning burned everything away, leaving a feat of an album - the forceful, deliberate, dimensional output of a band who has nothing to prove to anyone except themselves. Since the beginning of their career, Muna has embraced pain as a bedrock of longing, a center of radical truth, a part of growing up, and an inherent factor of marginalized experience - the band's members belong to queer and minority communities, and play for these fellow-travelers above all.Silk Chiffon," Muna's instant-classic cult smash, featuring the band's new label head Phoebe Bridgers, hit the gray skies of the pandemic's year-and-a-half mark like a double rainbow. Here, more than ever, Muna musters their unique powers to break through the existential muck and transport you, suddenly, into a room where everything is possible — a place where the disco ball’s never stopped throwing sparkles on the walls, where you can sweat and cry and lie down on the floor and make out with whoever, where vulnerability in the presence of those who love you can make you feel momentarily bulletproof, and self- consciousness only sharpens the swell of joy. I hate having to leave such a negative review for one of my favorite pop albums, but I want to be transparent. It’s marked by a newfound creative assurance and technical ability, both in terms of McPherson and Maskin’s arrangements and production as well as Gavin’s songwriting, which is as propulsive as ever, but here opens up into new moments of perspective and grace. What ultimately keeps us together," Maskin said, "is knowing that someone's going to hear each one of these songs and use it to make a change they need in their life.