Conor McBride. The Derivative of a Regular Type is its Type of One-Hole Contexts. Available at http://www.cs.nott.ac.uk/~ctm/diff.pdf, 2001. Google Scholar He notes that he’s going to be talking about his dissatisfaction with all the major political parties, before stating that this means there won’t be any reference to the Liberal Democrats. From an outsider’s perspective, U.S. problems (political and otherwise) stem from two things, and neither of them is a political party: (a) bigotry and the total inability of a huge swath of the population to see *anything* from anyone else’s viewpoint, and (b) the political system is seriously, fundamentally, and fatally flawed.

Whitburn, Joel (2003). Top Pop Singles 1955–2002 (1sted.). Menomonee Falls, Wisconsin: Record Research Inc. p. 675. ISBN 0-89820-155-1. a b Chilton, Martin (5 January 2011). "Gerry Rafferty and his songs of alienation". Daily Telegraph. Archived from the original on 8 January 2011. Republicans and Democrats ARE NOT THE PROBLEM. Both sides are DRIVEN by the FUNDERS who are empowered by MONEY so they already OWN the Supreme Court, the President, AND the Congress. Camille from Toronto, OhFirst thing that grabs your listening ear is the strumming of the guitar. Then, the bass joins in. It's that wonderful music magic that happens when the right instruments striking the right chords at the right time blend together to make an unforgettable tune. In this video, and the other one mentioned by Alan that's on YouTube, the bass doesn't seem to play a part in the sound, and it's much to bland that way. Listen to it on the radio, tho, and the excitement of the song starts when that bass pops out as you listen. The band performed the song on the BBC's Top of the Pops in May 1973, and the song charted at No. 8 in the UK Singles Chart. It also became an international hit, reaching No. 6 in the US Billboard Hot 100.Dave from Cardiff, WalesIt isn't a Leiber/Stoller song, this was written by band members Joe Egan & Gerry Rafferty

I know. There’s a huge difference in degree, and in kind, here. And there’s no doubt which tent I’ll be standing and fighting under. Alongside performing stand-up, Matt is interviewing Scottish political heavyweights over three live podcasts at the festival. Matt is set to speak to one of the most significant ever figures in British politics, former UK Prime Minister Gordon Brown on the 7 th August, Leader of the Scottish Labour Party, Anas Sarwar on the 15 th August and Scottish National Party MP for Edinburgh South West Joanna Cherry on the 22 nd August. Sean from Toronto, CanadaThe scene in "Reservoir Dogs" the music is used for is when Mr. Blonde (Michael Madsen) ties up and tape-gags the police officer's mouth closed and is preparing to cut off his ear. instance ( Dissectable f, GDissectable g) => GDissectable (f :.: g) where type GDissected (f :.: g) = Product2 ( Compose2 ( Dissected f) g) ( GDissected g) newtype Compose2 f g c j = Compose2 (f (g c) (g j)) The Tories are his main target, which will come as no surprise to anyone familiar with Forde’s work. His disgust with Boris Johnson and his attitude to political standards is well-known. Johnson’s enforced resignation may have led to some of his material being hastily rewritten, but the sentiment remains unaltered and confirms his belief that while the Prime Minister may change, politics will stay the same, or get worse.

Dave from Easton, PaSteely Dan never recorded this song. They only recorded their own material except "East St. Louis Toodle-oo" off of, i believe, the "Pretzel Logic" album. Simon Peyton Jones, Mark Jones, and Erik Meijer. Type classes: an exploration of the design space. In Proceedings of the Haskell Workshop, Amsterdam, The Netherlands, June 1997. Google Scholar