Two petite girls in Native American masks walk around singing ditties that are slightly more melodic than those found in Trash Humpers, with lyrics like, “Oh man, we are trouble. We love trouble…We dance on raindrops. We are God’s children.” They encounter a character called “Man” played by Gerald Taylor (a friend of Korine’s also featured in Trash Humpers) who dances with the girls, shoots fire from his fingertips, and wears a sleep apnea mask. Too often Harmony Korine is dismissed as a mere provocateur, the dubious character behind films like Gummo and Trash Humpers that are aesthetically, well, trashy. Detractors account for his success by referring to an experimental visual style and subjects that tend to be, as Variety called the Humpers, “riveting beyond rationality.”

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Technically a commercial for Proenza Schouler’s Native American clothing line, the spot caused AdWeek to run the headline, “Is Harmony Korine’s New Ad Crazy Offensive, or Just Crazy?” and then dismiss the striking little film as “faux-Lynchian” and a “Korine self-parody.” What’s lazier than calling anything slightly outside the boundaries of conventional filmmaking either Lynchian or faux-Lynchian? harmony in part singing; harmony between violins and horns. melody is the rhythmical combination of successive sounds of various pitch, making up the This is a film written by Korine and directed by Larry Clark. On paper you’d think collaboration between the KIDS dream team would yield a powerful result. But by the time it was filmed Korine had moved on and Clark seemed to be treading water. I’m sure a lot of people would agree that we live in strange times. But do they have to be so strange that Area 51 is making headlines? And what’s this about fish the look like aliens. September’s Words in the News explain all.

His films approach the disabled and the dispossessed, the racialized and the societally-rejected, in a way that may offend the self-professed allies of these groups, but where Hollywood advocacy films tend to patronize these people by way of saccharine, feel-good stories, Korine simply let’s them exist on screen. Korine has made a career of observing outcasts and outsiders. You don’t get more outcast, or more literally outside than Cambo, a 21-year-old who flees his parents’ dysfunctional home to live alone in the woods for two years.

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Though Korine has made only four feature films since Gummo, he has been anything but idle: he has co-penned lyrics with Cat Power and Bjork, directed a number of music videos, and had his art featured in prestigious galleries. More significant to the purposes of this list, he’s released a number of short films that are often as original and transformative as his better-known work in features. Ultra Pulpe, une étonnante rêverie érotique où le désir, la fantaisie colorée et les parties du corps s'entremêlent de manière poétique an arrangement of the contents of the Gospels, either of all four or of the first three, designed to show their parallelism, mutual relations, and differences SYNONYMS 1. concord, unity, peace, amity, friendship. 2. consonance, conformity, correspondence, consistency. See symmetry. 3. harmony, melody in music suggest a combination of sounds from voices or musical instruments. harmony is the blending of simultaneous sounds of different pitch or quality, making chords: There are many diverse influences on the way that English is used across the world today. We look at some of the ways in which the language is changing. Read our series of blogs to find out more.A motivational speaker named Val Kilmer (played, perhaps not surprisingly, by Val Kilmer) offers a mix of stupid and slightly-less stupid advice to a small crowd assembled in a roller rink. Again Korine plays with unsettling refrains. As Kilmer promises to reveal “Awesome secrets…” the crowd begins chanting the words, and then Kilmer interrupts their cadence in a disorienting way.