While his career waned with the coming of relaxed censorship laws of the 1960s, his substance abuse worsened in the early 1970s. THE SAME YEAR that he and Grace separated, Stanton joined Ditko in a studio at 276 W. 43rd Street and revived the camaraderie of their C&IS days. Sadomasochism is very prevalent and most women are shown submissive. Many are in very extreme bondage. However, some women are in leather and hold whips or weapons, playing a more dominant role. Vor Bezirk Tainan-Annan - Vinyl / Turntables haben Taiwan verschoben - Die Ära des ökonomischen Starts Gerda Wegener (1886-1940) Danish illustrator and painter, from the provinces but moved to Copenhagen to pursue her education at the Royal art Academy, and married fellow artist Einar Wegener in 1904. After moving to Paris in 1912, found much success both as a painter and illustrating for Vogue, La Vie Parisienne, Fantasio, and many other magazines. -- http://en.wikipedia.org/wiki/Gerda_Wegener [Sept 2005]

Amber said her father always spoke highly of Ditko’s art, particularly his inking ability. “When they collaborated,” she said, “my father did the pencil work, and Steve would ink over it.” His protests lead to additional punishments. They tie him across a stool and spank him with a Ping-Pong paddle. When he is softened up, they take pictures as permanent mementos of his humiliation. Booker, M. Keith, ed. (2010). "Underground and Adult Comics". Encyclopedia of Comic Books and Graphic Novels. Greenwood. p. 648. ISBN 9780313357473. During his last months with Rogers, Stanton was also producing work for Irving Klaw. Klaw, self-named the "Pin-up King," was a merchant of sexploitation, fetish, Hollywood glamour pin-up photographs, and underground films. His business, which eventually became Movie Star News, began in 1938 when he and his sister Paula opened a basement level struggling used bookstore on 14th St. in Manhattan. They married in Norway in 1971—and again in 1980 in Manhattan. This marriage was a happy one and resulted in two children, a boy, Tom, and a girl, Amber.

MAIDS AND CATFIGHTS JUST FOR ME by maxsgpin, literature

Some instances that Seves cites are not quite so convincing: if Ditko did them, he did them by dutifully imitating his studio-mate’s mannerisms to the extent that his own disappear. Or so it seems to me, but I’m scarcely a Ditko expert. In fact, while Stanton usually denied having influenced Ditko’s conception of Spider-Man—“Steve doesn’t like me to talk about him,” he told Theakston, “my contribution to Spider-Man was almost nil”— he sometimes admitted that the web-shooter idea was his. In helplessness and rage, Bill turned on Tom and Grace. "I don’t care what I did to you two. You can’t make me dress up and look like a girl this way. I can’t stand it. It’s too awful." In ‘Men Tamed to Submission by Tame-azons’, Nutrix 1960, Portia and Potentia are hired to subdue and vanquish Dan Marlo, a well-known star of television, who specializes in he-man roles. They spirit the drunken actor away from a party with the help of chloroform. While he is unconscious, the girls lace him up in a corset than gag and bind him. It was, in short, just the kind of setup that encouraged the two artists to kibbitz each other’s work. And also to lend each other a hand when deadlines loomed.

You should know better than to bring a weak and puny man into my presence without fitting female clothes on his inferior body! Take those torn clothes away from him and place feminine attire on him to denote his lowly present stature." He explained that since Spider-Man was so famous, it might draw attention to him as an artist if people knew he contributed to the creation of the character,” Amber wrote. “My brother and I were children and in school, and he feared that it could negatively effect our lives if people knew he was an erotic fetish artist.” When she asked him what was so unbelievable, he confessed that he’d helped another artist, naming Steve Ditko, create the character. And he told her what he’d contributed. Beginning in the mid-1970s, Bélier Press, a New York publisher of vintage fetish art, reprinted many of Stanton's comic serials in its 24-volume Bizarre Comix series. [27] Titles, mainly from the 1950s, include: Dianna's Ordeal, Perils of Dianna, Priscilla: Queen of Escapes, Poor Pamela, Bound in Leather, Duchess of the Bastille, Bizarre Museum, Pleasure Bound, Rita's School of Discipline, Mrs. Tyrant's Finishing School, Fifi Chastises Her Maids, A Hazardous Journey, Helga's Search for Slaves, Madame Discipline, and Girls' Figure Training Academy. [3] The book’s only scholarly flaw is Seves’ failure to caption the illustrations; they are usually explained in the adjacent text, but you have to look hard for it. A photograph of an attractive middle-aged woman we determine is Stanton’s mother only because the text nearby is about her.Over the years, Stanton would produce work for several merchants of fetish art: Edward Mishkin, who ran a store near Times Square (in those days, the neighborhood of sexploitation with dozens of stores selling girlie magazines, photographs, movies, and smut); Leonard Burtman, publisher and merchandiser; Max Stone, publisher of fighting female serials; and Stanley Malkin, also a Times Square entrepreneur, who would hire Stanton, putting him on salary, to do covers for his magazines—Stanton’s longest salaried situation as a fetish artist, 1963-68. Malkin also furnished and paid all the expenses for a small apartment for Stanton.