Ocr tesseract 5.0.0-alpha-20201231-10-g1236 Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.8835 Ocr_module_version 0.0.13 Ocr_parameters -l eng Old_pallet IA-NS-2000254 Openlibrary_edition He was awarded an OBE in 1988, and a CBE in 2005, for services to Children's Literature. In 1990, he was voted "The Illustrator's Illustrator" by Observer Magazine and in 1999, was appointed the first ever Children's Laureate, a post designed to raise the profile of children's literature. He has also won the Hans Christian Andersen Award for Illustration. Blake was knighted in the 2013 New Year Honours for his services to illustration. In March 2014 he was awarded the insignia of Chevalier of the Légion d'honneur at a ceremony at the Institut Français in London Topics: problem-solving; resilience; women in STEM; positive images of older people; transport; quest stories

He has illustrated nearly 300 books, and is known for his collaboration with writers such as Russell Hoban, Joan Aiken and Michael Rosen. He is the major illustrator for Roald Dahl books, including The BFG, The Witches, Matilda and Esio Trot, all of which have won major prizes. Without dialogue, it has the purity of a silent film, creating movement and telling its delightful story entirely through pictures. After being thrown out with other toys, a clown doll flips itself out of a trashcan, joins a fancy dress parade, is chased by a dog, and is then thrown accidentally into a poor high-rise apartment. There his antics help to quiet a crying child, and he helps the harassed babysitter to tidy the apartment. Then they all go out into the city, against a vivid red sky and grey city buildings, and retrieve the others. By the time the child’s mother comes home, the clown has become a loved toy again. Characteristically, the book also conveys an underlying moral theme, about rejection and connectedness. He was born in 1932, reading English at Cambridge, then studying teaching at the University of London, and life classes at Chelsea Art School. He has always made his living as an illustrator, as well as teaching for over twenty years at The Royal College of Art, where he was head of the Illustration department from 1978 to 1986. His first drawings were published in Punch at the age of sixteen, and he continued to draw for Punch, The Spectator and other magazines for many years, while entering the world of children's books with his first book as an illustrator, A Drink of Water and Other Stories by John Yeoman, in 1960.

Mrs Armitage on Wheels is a pleasure to read aloud with a class. The prose flows smoothly off the tongue, and the refrains get children joining in. They love the onomatopoeia (crash, crunch, thud!) and the listing of bike modifications which are used with comic effect. The language, which seems simple at first, builds increasingly into adventurous words and phrases which mirror the growing complexity of Mrs Armitage’s bike: don’t be surprised if your class start to speak of ‘complete tool kits’, ‘faithful dogs’ or of things needing ‘a bit of extra oomph’ after repeat readings! Access-restricted-item true Addeddate 2021-04-26 13:00:55 Boxid IA40096120 Camera USB PTP Class Camera Collection_set printdisabled External-identifier I loved Quentin Blake’s illustrations in the Roald Dahl books that I read as a child but I hadn’t read any of his picture books until my daughter brought Mrs Armitage and The Big Wave home from a birthday party. She thinks the story is hilariously funny and giggles in anticipation of her favourite pictures. I would love to read more of his picture books and I would really appreciate any Quentin Blake recommendations that you have.

Blake’s dynamic pen strokes typically create odd, unruly characters, almost always seen in concert with children, rendering them in a sprightly manner. As Sue Hubbard, an art critic writing in The Independent, has observed: ‘His drawing is wonderfully free and playful, the colour bleeding with carefree abandon over the ink outlines to give a sense of movement and vitality’. He is now one of Britain’s most popular artists, and so recognizable have Blake’s illustrations become, that his gently anarchic images have spread to greetings cards. In 1999 he was appointed the first Children’s Laureate, and his achievement has recently been marked by a major retrospective exhibition: ‘Quentin Blake: Fifty Years of Illustration’, held at Somerset House in London in 2004. His work was also a major part of the British Council's 'Magic Pencil' Exhibition which began touring the world in 2002, and there are apparently future plans for a Quentin Blake Gallery. The energy and mischievous humour of Quentin Blake’s art, as well as its compassionate social awareness, are evident in his award-winning children’s picture book Clown (1995). urn:lcp:mrsarmitagebigwa0000blak_s1u0:epub:aecfba09-9ed0-439d-a9ea-cc2b092277b6 Foldoutcount 0 Identifier mrsarmitagebigwa0000blak_s1u0 Identifier-ark ark:/13960/t8fg4g963 Invoice 1652 Isbn 0224046292 Blake was educated at Chislehurst and Sidcup Grammar School. His English teacher, JH Walsh, influenced his ambition to become involved in literature. His first published drawing was for the satirical magazine Punch, at the age of 16. He read English Literature at Downing College, Cambridge (1953-6), received his postgraduate teaching diploma from the University of London, and later studied at the Chelsea School of Art. He gained another teaching diploma at the Institute of Education before working at the Royal College of Art.