I just put the Limiter on my MS-60B through its paces, I now understand why you thought the Beheringer threshold control were backwards - it's certainly the opposite way around the Zoom which has maximum limiting when the Threshold is also set to maximum. It does work pretty good, but can get hissy if placed wrong in your pedal chain or if you crank it too much. It works by reducing the dynamic range of a signal, often referred to as compression which means that loud. I can't hear much difference when turning this knob, but when playing through an EQ plugin, it appears to add a high shelf starting around 2.

Your low thumping tones shall shake the very bones of the earth, while your slap and pop techniques will drop pantaloons and briefs alike. At "min" (or -60 in the case of the Keeley) the compression will kick in at very low input volumes => overall the pedal is providing the maximum limiting it can. Agreement; or (iv) your Agreement or relationship with an Organization (if applicable) or any third party. e. it wasn't as good as the dedicated budget Behringer - I guess that is to be expected given the maximum compression ration of 9:1. Most compressors are also "sustainers" too, meaning they bring up quieter notes (and also the 'noise floor' of the instrument or other electronics).

Je to klasika efekt pre basaka, za 9 euro aj original napajaci zdroj, lepsie nez kupovat 9V baterky. the Software, which may include patches, bug fixes, updates, upgrades, and other modifications ("Updates"). Sound engineers and professional bass players have known for years that high-quality limiting and enhancement makes bass tracks pop in the mix. Also, a powerful enhancer adds just the right amount of high-end sparkle to your tone, giving your bass guitar unbelievable presence and punch.

By its very nature, extreme compression tends to suck the high-end out of any signal, so we added a tone compensation circuit to the BLE100. I am not happy with it, but I am trying to even out the volume of the strings on my cheap 6 string bass.You will not delete, alter, or obfuscate any proprietary legends relating to the Image, and each use will be accompanied by the following attribution shown next to the Image: "Courtesy of Music Tribe IP Ltd. So, I got this, the VTone bass21 DI pedal, the BOD400 bass overdrive pedal, and the BEQ700 Bass Graphic Equalizer(stil figuring out this one) pedal; all by behringer. The Image is provided by Music Tribe IP Ltd on an 'as is' basis, without warranty of any kind, including non-infringement or ownership.

I ended up running all of the knobs at maximum just for the heck of it and ended up really digging it. This BEHRINGER product has been designed to compete head to head with leading products on the market.Sound engineers and professional bass players have known for years that high quality limiting and enhancement makes bass tracks pop in the mix. The “noise” comes entirely from the application of the enhancer dial, which is effectively a brightness / treble which does add nice element of “sparkle” to the bass tone which for me is a positive when paired with a Markbass cab which tends to roll-off the higher frequencies, producing a slightly darker sound.

It's very transparent with no detectable compression artifacts like pumping and loss of low frequency. You can roll it back to nothing (no sound), or boost it to where you get some noise and hiss, and depending on what you have. e. with Threshold at 50/50, Ratio = 9 it managed to cut the volume, but the Keeley matched it on -20 /60 Threshold i.I can only gather they used this name because there is a similar product with this name on the market. I've tried it into an amp, through a lengthy pedal chain, straight into a mixer, and everywhere in between. If a pedal doesn't sound good I won't use it, but on these setting, I honestly think there is a subtle improvement.