The best-known versions of the confession in English are the edited versions in poetic form that began circulating by the 1950s. [1] The United States Holocaust Memorial Museum quotes the following text as one of the many poetic versions of the speech: [2] [3] Some of the best poetry quotes are works of poetry themselves: They keep it short and use a small number of words to communicate big ideas. Take a look at how poets use their poetic skills even when they’re not writing poetry:

First they came - Wikipedia First they came - Wikipedia

the people who were put in the camps then were Communists. Who cared about them? We knew it, it was printed in the newspapers. Who raised their voice, maybe the Confessing Church? We thought: Communists, those opponents of religion, those enemies of Christians—"should I be my brother's keeper?"D. Boedeker and D. Sider (eds), The New Simonides:contexts of praise and desire, Oxford University Press (2001) About: “Here you'll find many types of poems on a variety of topics written by poets from all over the world. You'll find poetry that can teach you new things, make you feel, and make you think. Don't see your favorite type of poem? Give it a search or make it on Commaful and get it featured!” Niemöller, Martin. "First they came for the Socialists..." United States Holocaust Memorial Museum . Retrieved 5 February 2011. My discipline is the take-no-prisoners language of good poetry, but a language that actually frees us from prejudice, no matter what religion or political persuasion they are. I try to create a river-like discourse. The river is not political, it’s not on your side or against you. It’s an invitation into the onward flow.” —David Whyte Follow the link above to read the whole of Keats’s classic autumn poem, and learn more about these allusions.

Silent, Silent Night by William Blake | Poetry Foundation

Political activist, poet, and essayist June Jordan is one of the most widely-published Jamaican American writers of her generation. In her ‘Poem for My Love’, the speaker is in absolute spiritual awe of her partner and the way she feels about their transcendent love. 35. "for him" by Rupi Kaur no, it won’t be love at first sight when we meet it’ll be love at first remembrance ‘cause i’ve recognized you in my mother’s eyes when she tells me, marry the type of man you’d want to raise your son to be like. On the flip side, sometimes you need a lot of words to communicate your message. These poetry quotes are longer, meatier, and can feel like poems themselves: The only decorative word is 'long-winged' ( τανυπτέρυγος), used to denote a dragonfly, and it emerges from the generalised meanings of the passage as an 'objective correlative' for the fragility of the human condition. [81] The rhythm evokes the movement of the dragonfly and the mutability of human fortunes. [82] Ethics [ edit ]But Owen is also referring to his wish to make known — to expose — the incompetence of those in power whose failure to protect the men sufficiently from the weather led them to die of hypothermia. As mentioned above, both Cicero and Quintilian are sources for the story that Scopas, the Thassalian nobleman, refused to pay Simonides in full for a victory ode that featured too many decorative references to the mythical twins, Castor and Pollux. According to the rest of the story, Simonides was celebrating the same victory with Scopas and his relatives at a banquet when he received word that two young men were waiting outside to see him. When he got outside, however, he discovered firstly that the two young men were nowhere to be found and, secondly, that the dining hall was collapsing behind him. Scopas and a number of his relatives were killed. Apparently the two young men were the twins and they had rewarded the poet's interest in them by thus saving his life. Simonides later benefited from the tragedy by deriving a system of mnemonics from it (see The inventor). Quintilian dismisses the story as a fiction because "the poet nowhere mentions the affair, although he was not in the least likely to keep silent on a matter which brought him such glory..." [35] This however was not the only miraculous escape that his piety afforded him.

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Tell me not here, it needs not saying’ is probably A. E. Housman’s finest poem about nature, and a good example of how, whilst he has a reputation for indulging or even wallowing in the emotions, his work is shot through with a more pragmatic and unsentimental, even stoic, view of ‘man’s place in nature’. Martin Niemöller was a German Lutheran pastor and theologian born in Lippstadt, Germany, in 1892. Niemöller was an anti-Communist and supported Adolf Hitler's rise to power. But when, after he came to power, Hitler insisted on the supremacy of the state over religion, Niemöller became disillusioned. He became the leader of a group of German clergymen opposed to Hitler. In 1937 he was arrested and eventually confined in Sachsenhausen and Dachau. He was released in 1945 by the Allies. He continued his career in Germany as a cleric and as a leading voice of penance and reconciliation for the German people after World War II.Simonides of Ceos ( / s aɪ ˈ m ɒ n ɪ ˌ d iː z/; Greek: Σιμωνίδης ὁ Κεῖος; c. 556–468BC) was a Greek lyric poet, born in Ioulis on Ceos. The scholars of Hellenistic Alexandria included him in the canonical list of the nine lyric poets esteemed by them as worthy of critical study. Included on this list were Bacchylides, his nephew, and Pindar, reputedly a bitter rival, both of whom benefited from his innovative approach to lyric poetry. Simonides, however, was more involved than either in the major events and with the personalities of their times. [1] In one victory ode, celebrating Glaucus of Carystus, a famous boxer, Simonides declares that not even Heracles or Polydeuces could have stood against him—a statement whose impiety seemed notable even to Lucian many generations later. [64] Boedeker, Deborah & Sider, David [Eds.] 2001. The New Simonides: Contexts of Praise and Desire, New York & Oxford: Oxford U. Press - USA. A collection of essays on the Simonides papyri. Horace meant that poetry (in its widest sense, "imaginative texts") merited the same careful interpretation that was, in Horace's day, reserved for painting.