Dutchcharts.nl – Weyes Blood – And in the Darkness, Hearts Aglow" (in Dutch). Hung Medien. Retrieved November 26, 2022.

Enchanting. The follow-up to 2019's critically acclaimed Titanic Rising, Weyes Blood's And in the Darkness, Hearts Aglow is a darling of a record. It seems as if Mering can do little wrong; her music is pure ear candy. Grimwade, Charlotte. "Album Review: Weyes Blood - And In The Darkness, Hearts Aglow". Gigwise . Retrieved November 28, 2022.

Contributions

Technological agitation. Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow. Technology is harvesting our attention away from each other. We all have a “Grapevine” entwined around our past with unresolved wounds and pain. Being in love doesn’t necessarily mean being together. Why else do so many love songs yearn for a connection? Ultratop.be – Weyes Blood – And in the Darkness, Hearts Aglow" (in Dutch). Hung Medien. Retrieved November 27, 2022. Offiziellecharts.de – Weyes Blood – And in the Darkness, Hearts Aglow" (in German). GfK Entertainment Charts. Retrieved November 25, 2022.

a b "And in the Darkness, Hearts Aglow by Weyes Blood". Metacritic. CBS Interactive . Retrieved November 17, 2022. a b "The ARIA Report: Week Commencing 28 November 2022". The ARIA Report. No.1708. Australian Recording Industry Association. November 28, 2022. pp.10, 24. And In the Darkness, Hearts Aglow is intricately put together, with Mering mirroring the sentiments of in head-bending arrangements; “God Turn Me Into a Flower” updates the myth of Narcissus and uses Mering’s layered vocals (as well as synth squiggles by her and Daniel Lopatin) to evoke its otherworldly longing, while the finale, “A Given Thing,” finds Mering reflecting on how “sometimes our love is enrapturing/ and other times it’s just unraveling/ in front of me.” Her voice is low in the mix of whooshing synths and deliberate piano chords at times, perhaps indicating her ambivalence toward love—although when she declares her desire to break the fighting-and-reconciling cycle, it soars, carried along by resolve. a b Hunt, El (November 16, 2022). "Weyes Blood – 'And In The Darkness, Hearts Aglow' review: quiet optimism in the present-day apocalypse". NME . Retrieved November 17, 2022. Meanwhile, the obvious vocal comparison is to Karen Carpenter, with whom Mering shares a controlled, velvety melancholy. And, like Carpenter’s music, there’s something curiously unknowable at this album’s centre. Just as it’s never entirely clear if Carpenter was intentionally freighting what was meant to be easy listening with an almost unbearable sadness – whether she was really pouring her own distress into her readings of songs or whether the listener is simply retrospectively projecting their knowledge on to the sound of her voice – it isn’t entirely clear whether everything Mering sings is meant in deadly earnest. When she blithely dismantles the initial optimism of The Worst Is Over – “I think it’s only just begun” – you find yourself wondering if you’re in the presence of a doomsayer or an exceptionally deadpan humorist. It makes And in the Darkness, Hearts Aglow seem more of a puzzle than it first appears – one that’s an unalloyed joy to solve. This week Alexis listened to

Side guide

Spanishcharts.com – Weyes Blood – And in the Darkness, Hearts Aglow". Hung Medien. Retrieved December 15, 2022. Alex, Swhear (November 19, 2022). "Weyes Blood Brings Patience and Confidence to Pandemic Reverberations in 'And in the Darkness, Hearts Aglow': Album Review". Variety . Retrieved November 28, 2022. Theissin, Chris (November 16, 2022). "Weyes Blood - And In the Darkness, Hearts Aglow". Under the Radar . Retrieved December 7, 2022. Selected items are only available for delivery via the Royal Mail 48® service and other items are available for delivery using this service for a charge.

I'm going to be honest, as much as I've tried to listen to this record as a standalone body of work, I simply cannot forget the unimaginably high bar that Weyes Blood has set for herself with Titanic Rising. a b Petridis, Alexis (November 17, 2022). "Weyes Blood: And in the Darkness, Hearts Aglow review – gloom becomes a thing of beauty". The Guardian . Retrieved November 17, 2022. And in the Darkness, Hearts Aglow (liner notes). Weyes Blood. Sub Pop. 2022. SP1485. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link)The Best Albums of 2022 Ranked". The Line of Best Fit. December 6, 2022 . Retrieved December 6, 2022. Triple A Future Releases". All Access Music Group. Archived from the original on April 4, 2023 . Retrieved April 7, 2023. Technological agitation . Narcissism fatigue. A galaxy of isolation. These are the new norms keeping Weyes Blood (aka Natalie Mering) up at night and the themes at the heart of her latest release, And in the Darkness, Hearts Aglow. And in the Darkness, Hearts Aglow received critical acclaim and was supported by four singles: " It's Not Just Me, It's Everybody", "Grapevine", "God Turn Me Into a Flower", and "Children of the Empire". To promote the album, Weyes Blood embarked on the concert tour In Holy Flux Tour in 2023.

Portuguesecharts.com – Weyes Blood – And in the Darkness, Hearts Aglow". Hung Medien. Retrieved December 15, 2022. Bloom, Madison (September 12, 2022). "Weyes Blood Announces Tour and New Album, Shares New Song: Listen". Pitchfork . Retrieved September 14, 2022. Goods that are faulty or sent in error must be returned to Crash Records Limited, 35 The Headrow, Leeds, LS1 6PU within 7 working days of the item being received by the customer.

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a b Brown, Helen (November 17, 2022). "Weyes Blood review – And in the Darkness, Hearts Aglow: A beguiling blend of nostalgia and optimism". The Independent . Retrieved November 17, 2022. Cush, Andy (November 18, 2022). "Weyes Blood And in the Darkness, Hearts Aglow Album Review | Pitchfork". Pitchfork . Retrieved November 18, 2022. Lescharts.com – Weyes Blood – And in the Darkness, Hearts Aglow". Hung Medien. Retrieved December 15, 2022.