Made for the movie Titanic, this song became the pop love anthem of the year 1997. It went on to sell nearly 20 million copies and became the song that Celine Dion has become known for. Despite being a power ballad for Dion, it’s simple to play on the kalimba, making it an ideal practice piece for those who love ballads. Leonard Cohen’s “Hallelujah” has been covered by so many singers over the years, but our personal favorite is the K.D. Lang version, which she performed for the 2010 Olympics in Vancouver, Canada. Sublime and haunting, this song lends itself well to an elegant instrument like the kalimba. This deeply emotional French song had many interpretations since it was initially released in 1947. Now, beginner kalimbists looking to hone their skills can make it their own with the help of these tabs.

Polyphonic playing refers to playing multiple melodies or harmonies simultaneously. Develop your ability to play polyphonically by dividing your thumbs between different sections of the kalimba and coordinating their movements. This technique allows you to create intricate and layered compositions. Tips for Practice Setting Regular Practice Sessions

Cyndi Lauper originally recorded this song in 1986. It was almost a decade later, on Phil Collins’s album …Hits, that he recorded his own version. It’s perfect for anyone looking to improve their skills, and you won’t have to spend hours practising it. Nemakonde (close to Phrygian mode), same musical relationship as the mavembe, but the nemakonde tuning is a very low pitched version. The metal tines are mounted onto a box with a hollow to resonate the sound and amplify it in the same way an acoustic guitar body does. The enclosure will often have a resonator to assist. Chords on the 17-Note Kalimba in C - Kalimba Magic". www.kalimbamagic.com. 21 June 2019 . Retrieved 2020-05-29.

And it’s that what you need to be fully aware of before you buy. Fail to do so & you may find yourself unable to fully express yourself through your chosen kalimba & be left dissatisfied. Not something we want to happen!! So with that in mind, which brand of kalimba is best? And do you really need 21 keys? We discuss all this & more…finger harp, gourd piano, ikembe, kalimba, kilembe, likembe, likimba, marimbula, mbla, sansa, sansu, sanza, thumb piano, timbrh, zanzu I am having a lot of trouble playing my kalimba. I took piano lessons as a child for three years and I think this is the trouble. Is there a tip to help me make sense of reading the kalimba music as opposed to reading piano music?” Without any music basis, you just move your thumb to get the wonderful music that delights your day long. Historically, mbira tunings have not mapped exactly onto Western scales; it is not unusual for a seven-note sequence on a mbira to be " stretched" over a greater range of frequencies than a Western octave and for the intervals between notes to be different from those in a Western scale. Tunings have often been idiosyncratic with variations over time and from one player to another. A mbira key produces a rich complex of overtones that varies from one instrument to another depending on its maker's intentions and accidents of fabrication, such that some instruments simply sound better when some notes of a familiar tuning are pushed. [14] With the increased popularity of the mbira dzavadzimu in North America, Europe, and Japan in recent decades, Zimbabwean mbira makers have tended to tune their instruments more uniformly for export, but much variation is still found among mbira in their homeland. [15] Another obvious difference between the piano and the kalimba is the range, or the distance between the lowest and highest notes. The kalimba is not only missing several notes in between the notes it plays, but the kalimba’s notes do not go very low or very high. A typical 17-Note Kalimba in C ranges from C4 to E6, while the 88 note piano ranges from A0 to C8 (The numbers represent the octave on the piano. A0 is lowest note. C4 is middle C, and there are 8 octaves.) The limited range of the kalimba becomes an issue because some melodies will not fit nicely on the kalimba, and if you are trying to arrange common piano music (ie, melody and lower note accompaniment), you will have to make some accommodationson the kalimba – for example, the piano’s left hand notes may need to be transposed up an octave or two, or otherwise modified, to fit on the kalimba. Alternating Note Layout