But for me, it all works very, very well. I'm comfortable with fragrances that have elements traditionally associated with feminine fragrances, particularly when they progress to a complex, animalic dry down the way Gold Man does. Guy Robert approached his assignment to create the first Amouage men's fragrance by throwing the "how to make a successful mid-1970s to mid-1980s fragrance" handbook right out the window. Just received a .5ml vial of the original formula. It should be noted that the original was an EdT, while my other bottle (magnetic cap) is an EdP.

Both are great, but as a lover of all things vintage, I would love to get my hands on a full bottle. In 1983, the Sultan of Oman had him come to Oman specifically to make the first magnificent Amouage perfume. You already had myrrh and frankincense," he said when leaving the room a free man. "The third gift was still missing, then you have the name!" My good man, you have convinced me. We are holding you unjustly, Mr. Amouage. What's that scent called, anyway?" As spectacular a ride as the top and heartnotes of this perfume are, the drydown is one of the best I've smelled. It's there, softer and quieter than the topnotes, but it remains fully-fleshed and complete. The drydown isn't just a ghost of the heartnotes.

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Those who remember his original 1976 Gucci Pour Homme will know that M. Robert knew how to work within the rules for men's scents of the day (if occasionally pushing close to the edges of those rules). So what he chose to do with Good Man is remarkable. "Hey," you can almost imagine him saying, "let's use Chanel No. 5 as the inspiration for our opening.". Bold move. So why not continue with a rose, jasmine powdery middle and accent it with an incense note? The basenotes are animalic ambergris and civet with some dirty patchouli and a bit of sandalwood included to smooth things out. It is all somewhat remarkable. As the first men's fragrance by Amouage, Gold Man set the scene for just how revolutionary Amouage's scents would end up being. I had no notion until I smelled Gold Men that I'd formed an image (fantasy) in my mind of what the old-school animalic floral/orientals of the early 20th century were. On smelling Gold Men, I realized that I did, and that this was it. The original juice is 3x as dark, and with a MUCH stronger Frankincense top note. They are EXTREMELY similar, but the original's Orris and Jasmine are "headier", "fuller", "deeper".

that of Civet, its tobacco undertones highlighted by those of Patchouli, while Oakmoss and Cedarwood transform them into a resolute chypre. He looked confused "Well, the chemical spill here, or whatever they're on. Man, there's a constant stream of stuff floating around, you need a license for that!" No, I added some other ingredients... also some frankincense and myrrh." "Surely, which two of the Magi live within you? Caspar for sure, because that's what you are to me, a clown, a braggart! Who mixes all this together and from something animalistic becomes this! Something... moment... actually... very pleasing... what was in it again, the Lord?" A completely new theme for a men's scent in the early 80s, Gold Man bears a close resemblance to Chanel No. 5, at least in the opening stages. But do not be fooled by the development of this scent, which is so drastic, it could easily be classed as 3 scents rolled into one.The opening is full aldehydes and florals. Jasmine makes an early appearance whilst slightly veiled by the aldehydes, but the rose that introduces the middle stages takes the scent into a completely different direction. It's almost as if the Chanel No. 5 has been spiked with roses. Some more powdery notes enter at this point, before musk and frankincense join to create an opulent and long-lasting dry down. Older bottles had a nuclear civet note from about the mid point, which contrasted beautifully with the rose. This has been neutered in more recent bottles, but the overall aldehydic, soapy, floral-musky accord is largely still intact. This fragrance may have been typical of the fragrances found in the Middle East in the early 1980s, but I doubt it. I suspect that this scent pushed limits at that time. It still does today.

I was silent for a long time before I answered. "Well, you're right. Only who's going to wear it? You're not exactly a horse brand sugar water. And I can't taste smoky pineapple either." I'm not cut out for them either. You will find my followers where you will find followers of Kouros, Antaeus and what they are all called." Sensational, huge powdery animalic fragrance. Now I understand why these old perfumes were both powdery and animalic. If you do it right, it's brilliant. Like all Amouage products, the presentation is well done, the atomizer is very good and the ingredients and blending are, at least to my nose, superior. Myrrh, delirious with warmth, and a pearlescent and indolic white Jasmine stand on an Iris from which emanates a rich, terribly luxurious scent ofHe introduced the maximum finest delicacy to Guy Robert, the noblest Omani raw materials, and the great genius created this grand chypre containing more than 120 elements skillfully orchestrated in an amazing perfume! I tried to laugh cool "Yes, and Iris too..." "Oh, now I'm getting a little too much! Clearly I smell something soapy-animal what becomes darker and darker, almost earthy and cool! Surely these are not only your flowers?"